Jagjit Singh's ' "Be-Sabab Baat" was released on its scheduled release date, March 12, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Face To Face by Jagjit Singh. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Be-Sabab Baat's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Be-Sabab Baat by Jagjit Singh is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ae Jazba-e-Dil Gar Main Chahoon | Nayyara Noor | A♭ Major | 4 | 4B | 74 BPM | ||
| Zindagi Tujh Ko Jiya Hai | Chitra Singh | A♭ Minor | 4 | 1A | 136 BPM | ||
| Tere Jaisa Koi Mila Hi Nahin | Osman Mir, Aamir Mir | B♭ Major | 5 | 6B | 95 BPM | ||
| Rasm -E- Ulfat Sikha Gaya Koi | Begum Akhtar | B♭ Major | 3 | 6B | 123 BPM | ||
| Lai Hayat Aye Qazal - E - Chali Chal | Bhupinder Singh | B♭ Major | 4 | 6B | 156 BPM | ||
| Kal Bhi Man | Manhar Udhas | B♭ Major | 4 | 6B | 156 BPM | ||
| Tera Hijr Mera Naseeb Hai | Kabban Mirza, Nida Fazli | E Major | 4 | 12B | 97 BPM | ||
| Aye Kuchh Abr | Runa Laila | B♭ Major | 3 | 6B | 138 BPM | ||
| Mere Humraaz | Pamela Jain | F Minor | 5 | 4A | 148 BPM | ||
| Dil Dhundta Hai Commentary - Gulzar | Bhupinder Singh, Gulzar | D Major | 3 | 10B | 85 BPM | ||
| Yeh Duniya Yeh Mehfil - Lofi House | Mohammed Rafi, Abhinav Parmar | G Minor | 7 | 6A | 136 BPM | ||
| Ye Aankhe Tumhari | Ghulam Abbas Khan | G Major | 6 | 9B | 129 BPM | ||
| Ya Mujhe Afsare Sahi | Bhupinder Singh | E♭ Minor | 4 | 2A | 136 BPM | ||
| Mujhse Milne Ke Woh Karta Tha Bahane | Chitra Singh | E Major | 5 | 12B | 128 BPM | ||
| Be-Sabab Baat | Jagjit Singh | C Minor | 5 | 5A | 154 BPM | ||
| Dialogue And Kabse Hoon Kya Bataon | Naseeruddin Shah, Jagjit Singh | A♭ Major | 4 | 4B | 128 BPM | ||
| Wafa Na Raas Aayi | Attaullah Khan | E Major | 6 | 12B | 125 BPM | ||
| Tere Hothon Ko Salam | Ashok Khosla | E♭ Major | 2 | 5B | 96 BPM | ||
| Woh Nahi Mila | Kavita Seth | C Major | 6 | 8B | 137 BPM | ||
| Jab Yaad Ki Badli Chhati Hai | Mahendra Kapoor | G Major | 4 | 9B | 118 BPM | ||
| Mere Haseen Khayalon | Vinod Sehgal | B Major | 3 | 1B | 127 BPM | ||
| Dil Hoom Hoom Kare - Male Version | Bhupen Hazarika | F♯ Major | 5 | 2B | 100 BPM | ||
| Faza Bhi Hai Jawan - Pt. 1 and Ii | Salma Agha | B♭ Major | 4 | 6B | 146 BPM | ||
| Mujhko Dafna Kar Wo Jab | Attaullah Khan | B♭ Minor | 5 | 3A | 164 BPM | ||
| Tere Bheege Badan Ki Khusboo | Muhammad Ali | C Minor | 4 | 5A | 170 BPM |