Michael Brecker's 'Willie T.' had a release date set for January 1, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Tales From The Hudson". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Willie T. is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Willie T. by Michael Brecker having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stella by Starlight | Jonathan Kreisberg | E♭ Minor | 4 | 2A | 90 BPM | ||
| Obsession | Joshua Redman Quartet | D Major | 4 | 10B | 128 BPM | ||
| The Balance | Dave Holland Quintet | G Minor | 3 | 6A | 101 BPM | ||
| アイ・コンセントレイト・オン・ユー (ライヴ) | Sadao Watanabe | F Minor | 5 | 4A | 135 BPM | ||
| Black Nile | Jeff "Tain" Watts | A♭ Major | 5 | 4B | 127 BPM | ||
| Filthy McNasty | Something Else!, Vincent Herring | A♭ Major | 5 | 4B | 107 BPM | ||
| African Skies | The Brecker Brothers | A♭ Major | 6 | 4B | 95 BPM | ||
| Everybody's Song But My Own | Kenny Wheeler Quintet | B♭ Minor | 3 | 3A | 96 BPM | ||
| Midnight Silence | Kenny Kirkland | E♭ Major | 3 | 5B | 75 BPM | ||
| Powerful Paul Robeson | Clifford Jordan | F Minor | 3 | 4A | 89 BPM | ||
| Not Ethiopia | The Brecker Brothers | B♭ Major | 8 | 6B | 155 BPM | ||
| Soundcheck | Joshua Redman Elastic Band | B Minor | 4 | 10A | 115 BPM | ||
| Go For Broke | Gregory Groover Jr., Joel Ross, Paul Cornish, Harish Raghavan, Kendrick Scott | F Minor | 4 | 4A | 134 BPM | ||
| Amsterdam After Dark | George Coleman, Sam Jones, Billy Higgins, Hilton Ruiz | D♭ Major | 4 | 3B | 135 BPM | ||
| Sweet Nasty | Joshua Redman Elastic Band | B♭ Minor | 8 | 3A | 125 BPM | ||
| Word for Word | Joel Ross | E♭ Major | 4 | 5B | 133 BPM | ||
| Summer Night - Live | Chick Corea Akoustic Band | G Major | 7 | 9B | 133 BPM | ||
| First Song | Patrick Bartley Trio | A Major | 5 | 11B | 98 BPM | ||
| Have You Met Miss Jones? | Vincent Herring, Renee Rosnes, Billy Drummond, Ira Coleman | F Major | 3 | 7B | 156 BPM | ||
| Are We There Yet? | Bob Curnow's L.A. Big Band, Bobby Shew, Wayne Bergeron, Alex Iles | C Major | 4 | 8B | 125 BPM | ||
| Claude And Betty | Gary Burton Quartet, Eberhard Weber | F♯ Major | 1 | 2B | 69 BPM | ||
| Human Rights | Human Being Human, Chris Cheek | E♭ Major | 4 | 5B | 133 BPM | ||
| Cyclic Episode | Sam Rivers | D Major | 4 | 10B | 108 BPM | ||
| Lo-Joe | George Coleman, Hilton Ruiz, Billy Higgins, Sam Jones | D♭ Major | 4 | 3B | 118 BPM | ||
| Bu's March - Live | Benny Green | G Minor | 4 | 6A | 137 BPM |