Rita Reys's ' "It's All Right with Me" was released on its scheduled release date, April 6, 2015. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. It's All Right with Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "The Cool Voice of Rita Reys". In this album, this song's track order is #12. In terms of popularity, It's All Right with Me is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With It's All Right with Me by Rita Reys having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Silence Loves Too | A Jazz Story | B♭ Major | 2 | 6B | 104 BPM | ||
| Tiempo suspendido | Ryzon Sound | B♭ Major | 2 | 6B | 104 BPM | ||
| Late Night Jazz Vibes | Murmur Haven | E♭ Major | 4 | 5B | 108 BPM | ||
| Granite Arcade Waltz | Crying Mirror | E♭ Major | 3 | 5B | 72 BPM | ||
| If I Only Had A Heart | Susannah McCorkle | F♯ Major | 1 | 2B | 67 BPM | ||
| Sapphire Tone | Fireside Jazz | E♭ Major | 3 | 5B | 120 BPM | ||
| Frieze Panel | Fireside Jazz | D Minor | 2 | 7A | 82 BPM | ||
| Lujon - Slow Hot Wind | Henry Mancini, Antje Rietz | E♭ Major | 4 | 5B | 117 BPM | ||
| Mailbox Slot | Fireside Jazz | C Major | 3 | 8B | 111 BPM | ||
| I've Got The World On A String | Pim Jacobs Trio | C Major | 5 | 8B | 119 BPM | ||
| Penstroke Greengrocer | Eli Wash | F Major | 3 | 7B | 125 BPM | ||
| Starlit Drift | Azure Ensemble | D Minor | 2 | 7A | 183 BPM | ||
| Trace of What You Were | Velour JAZZ | B♭ Minor | 0 | 3A | 82 BPM | ||
| Things Ain't What They Used To Be | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 106 BPM | ||
| Do Nothing 'Til You Hear From Me | Abbey Lincoln | G Major | 3 | 9B | 74 BPM | ||
| Tipsy Song ("Eine Nacht in Venedig", Op. 117) (feat. Marika Lichter) | Simone Kopmajer, Marika Lichter | B♭ Major | 2 | 6B | 127 BPM | ||
| Once Upon a Summertime (La Valse Des Lilas) | Rita Reys | G Major | 2 | 9B | 162 BPM | ||
| Sunrise Without Your Hand | Velour JAZZ | B♭ Minor | 0 | 3A | 82 BPM | ||
| When the Blues Come On | Rita Reys | B Minor | 0 | 10A | 111 BPM | ||
| My Town And Me | Soesja Citroen, Michael Moore | A Minor | 3 | 8A | 124 BPM | ||
| Penstroke Curve | Still Geometry Jazz | G Minor | 2 | 6A | 70 BPM | ||
| Champagne at Noon | Evening Jazz Radio | D Major | 3 | 10B | 125 BPM | ||
| Staves in the Silence | Hermione Dark | C Major | 0 | 8B | 117 BPM | ||
| Go Away Little Boy | Ann Burton, Louis Van Dijk, Piet Noordijk | C Major | 3 | 8B | 122 BPM | ||
| Sundown Arcade | uuunderwater | D Minor | 4 | 7A | 81 BPM |