Rajkot Gurukul's ' "Bhaktachintamani Prakaran 1" was released on its scheduled release date, June 1, 2006. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 10 in Bhaktachintamani Prakaran 1 to 10 by Rajkot Gurukul. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Bhaktachintamani Prakaran 1 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bhaktachintamani Prakaran 1 by Rajkot Gurukul is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nahi Chahiye Dil Dukhana Kisika | Sarvesh Mishra | G Minor | 5 | 6A | 84 BPM | ||
| Ali Rasmani | Atul Purohit | C Minor | 3 | 5A | 128 BPM | ||
| Sarangpur Na Dhame Joya Kashtbhanjan Dev | Lalita Ghodadra, Arvind Barot | A♭ Major | 5 | 4B | 175 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Khamma Re Bahuchar Maat - Aarti | Ami Joshi, Asif Jeriya | F Minor | 7 | 4A | 87 BPM | ||
| Narayana Suktam | Rajkot Gurukul | B Major | 5 | 1B | 132 BPM | ||
| Neela Jole Jhulobala | Anurup Mallik, Chandrani Bhattacharya | B♭ Major | 5 | 6B | 89 BPM | ||
| He Satguru Mata Ji | Shuchi Arora, Amrit Bhen Kanpur | C Minor | 4 | 5A | 98 BPM | ||
| Rahiman Rahiman Ram Rahim | Sri Sathya Sai | B♭ Major | 7 | 6B | 103 BPM | ||
| Raksha Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Sai ke naam anek | Hemant Kumar Kochar | D Major | 5 | 10B | 153 BPM | ||
| jaya jaya sav shankar | shradey shri mridul krishna shashtri ji maharaj | F♯ Major | 6 | 2B | 82 BPM | ||
| Mata Rani Teri Jay Jay Kar | Anil Hanslas | B Major | 6 | 1B | 80 BPM | ||
| Mere Bholebhandari | Manish Tiwari | B♭ Major | 4 | 6B | 188 BPM | ||
| Bhaj Man Radha Radha Radha | Jagadguru Shri Kripalu Ji Maharaj, Raseshwari Devi | C Major | 4 | 8B | 145 BPM | ||
| Ae Gujjari Mol Amol Humko Makhan Jara Chakhai Dijo | Vijay Soni | G Major | 7 | 9B | 130 BPM | ||
| Thodi Si Betabi | Ridam Kumar, Suman | A Major | 5 | 11B | 154 BPM | ||
| Humare Sath Shree Raghunath | TANVI SENJALIYA | B Major | 7 | 1B | 110 BPM | ||
| RADHE RANI KI JAY MAHARANI | NITIN DEVKA-NIDHO DHOLKIA | A♭ Major | 5 | 4B | 88 BPM | ||
| महालक्ष्मी आरती | Mata Laxmi Aarti in Hindi | Hari cassettes | B♭ Major | 4 | 6B | 153 BPM | ||
| Ras Bhina Rai Ranchod | Nidhi Dholakiya | F Major | 5 | 7B | 88 BPM | ||
| Jevo Gano Tevo Tamaro | જેવો ગણો એવો તમારો | Hari cassettes | F Major | 4 | 7B | 105 BPM | ||
| Gopal Krishna Radhe Krishna | Ami Joshi | F Minor | 6 | 4A | 127 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Jai Sheran Waliye Bheint | Vishal Khera | A♭ Major | 8 | 4B | 94 BPM |