Atul Purohit's ' "Ali Rasmani" was released on its scheduled release date, July 24, 2000. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Tara Vina Shyam". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Based on our statistics, Ali Rasmani's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ali Rasmani by Atul Purohit having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sharade Varade Maa | Sri Ganapathy Sachchidananda Swamiji | D Major | 5 | 10B | 120 BPM | ||
| Nandlala Ne Mata Jashodaji Sabhare | Bhaskar Shukal | E Major | 5 | 12B | 102 BPM | ||
| Main Kanuda Teri Govalana | Damyanti Bardai, Dipalee Somaiya Date, Chetan Gadhavi | E♭ Major | 5 | 5B | 89 BPM | ||
| Aaj Mara Mandiriyama Mhale | Master Rana | F♯ Major | 5 | 2B | 76 BPM | ||
| Maro Sandesho Sajan | Mamta Soni, Vikram Thakor | D♭ Major | 6 | 3B | 130 BPM | ||
| Naman Hu Karu Visvapal Ne | Swami Shree Chhapaiyaprakashdasji | F♯ Major | 4 | 2B | 138 BPM | ||
| Kala Re Kala Mara | Master Rana | B Minor | 6 | 10A | 164 BPM | ||
| Vadtal Game Phoolvadiea Re | Sadhu Shukmunidas | A♭ Major | 6 | 4B | 111 BPM | ||
| Ambe Maa | Bhanumathi Narasimhan | E Major | 5 | 12B | 94 BPM | ||
| Nirvikalp Uttam Ati | Swami Shree Chhapaiyaprakashdasji | C Major | 4 | 8B | 83 BPM | ||
| Phulava Dori Pankhiya Ke Chalana | Alka Chandrakar | G Major | 5 | 9B | 75 BPM | ||
| Bhiksha Dene Maiya | Lalita Ghodadra, Raghuveer Kunchala, Mathur Kanjariya, Suresh Raval, Dipak Joshi | A♭ Major | 6 | 4B | 74 BPM | ||
| MARA SHRI NATHJI NO BHARE CHHE LATKO | Nidhi Dholkia | F♯ Major | 5 | 2B | 162 BPM | ||
| Sava Vaal Sonu | Atul Purohit, Himali Vora | F Major | 9 | 7B | 183 BPM | ||
| Ek Var Yamuna Ma | Achal Mehta, Dewangi Jadeja | F♯ Minor | 7 | 11A | 126 BPM | ||
| HU TARO LALO O MAIYA | Nidhi Dholkia | C Major | 6 | 8B | 88 BPM | ||
| RADHA JI NU ZANZRIYU | NIDHO DHOLKIA | F Minor | 7 | 4A | 120 BPM | ||
| DHANY AKADASI | NIDHI DHOLKIA NITIN DEVKA | F♯ Major | 5 | 2B | 78 BPM | ||
| Khodiyar Bavni | Asha Thakor | F Minor | 4 | 4A | 122 BPM | ||
| Khamma Mara Nandjina Lal | Praful Dave | G Major | 5 | 9B | 144 BPM | ||
| Aashro Tamaro Shankeshwar Dada | Prashant Shah (Dikubhai) | A♭ Minor | 2 | 1A | 154 BPM | ||
| Batisi | Shailaja Vyas, Pinky Prajapati, Atul Purohit | E Minor | 9 | 9A | 84 BPM | ||
| Vasudha ke is anchal mein | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Man Kari lene Vichar - Live | NARAYANSWAMI | F♯ Major | 8 | 2B | 113 BPM | ||
| Shambhu Sharne Padi | Meena Patel | F Major | 6 | 7B | 90 BPM |