Shirley Horn's 'The Best Is Yet To Come' had a release date set for March 13, 2001. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. The Best Is Yet To Come's duration is considered a little bit shorter than the average duration of a typical track. This song is part of You're My Thrill by Shirley Horn. The song's track number on the album is #2 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. The Best Is Yet To Come is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since The Best Is Yet To Come by Shirley Horn has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With The Best Is Yet To Come being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Give Me The Simple Life | Annie Ross, Gerry Mulligan Quartet | D Minor | 4 | 7A | 129 BPM | ||
| Love Is Here To Stay | Curtis Stigers | G Minor | 1 | 6A | 81 BPM | ||
| Me & Mr. Jones - 1 | Jacqui Naylor | E♭ Major | 3 | 5B | 180 BPM | ||
| Soul Eyes | Kandace Springs, Terence Blanchard | F Minor | 2 | 4A | 99 BPM | ||
| Polkadots & Moonbeams | Hailey Tuck | B♭ Major | 3 | 6B | 87 BPM | ||
| Summer (Estaté) | Carla Cook | A Minor | 2 | 8A | 112 BPM | ||
| Come Dance With Me | Shirley Horn | E Minor | 3 | 9A | 64 BPM | ||
| Softly, As In A Morning Sunrise - Remastered 1959 | Abbey Lincoln | F♯ Minor | 1 | 11A | 109 BPM | ||
| Georgia on My Mind | Teresa Brewer | C Major | 2 | 8B | 130 BPM | ||
| Lullaby In Rhythm | Mark Murphy | F Minor | 2 | 4A | 135 BPM | ||
| Waiter, Make Mine Blues | Anita O'Day | A♭ Major | 1 | 4B | 81 BPM | ||
| You and the Music | Sarah McKenzie | F Minor | 4 | 4A | 128 BPM | ||
| The Boulevard of Broken Dreams | Jacintha | E Minor | 2 | 9A | 151 BPM | ||
| Summertime | Manhattan Jazz Quartett, Debby Davis | A Minor | 4 | 8A | 122 BPM | ||
| Scotch and Soda | Amanda Carr | F Major | 1 | 7B | 108 BPM | ||
| Yesterday | Shirley Horn | F Major | 1 | 7B | 97 BPM | ||
| Let There Be Love | Silje Nergaard | F♯ Major | 3 | 2B | 118 BPM | ||
| It Don't Mean A Thing (If It Ain't Got That Swing) | Ernestine Anderson | F Minor | 4 | 4A | 134 BPM | ||
| My Heart Belongs Daddy | Alexis Cole | C Major | 3 | 8B | 124 BPM | ||
| A Song For You | Térez Montcalm | G Major | 2 | 9B | 103 BPM | ||
| My Revelation | Emma Smith | C Minor | 3 | 5A | 82 BPM | ||
| Honeysuckle Rose | Jane Monheit | A♭ Major | 4 | 4B | 172 BPM | ||
| Lover Come Back To Me | Cassandra Wilson | F♯ Major | 3 | 2B | 126 BPM | ||
| Blue Moon - Moonglow | Alexis Cole, Bucky Pizzarelli | G Minor | 2 | 6A | 87 BPM | ||
| Close to You | Rigmor Gustafsson, Jacky Terrasson Trio | D♭ Major | 1 | 3B | 94 BPM |