Selections From Friday Afternoons, Op.7 - "ee-oh!" by Benjamin Britten, Toronto Children's Chorus Song Details

Benjamin Britten, Toronto Children's Chorus's ' "Selections From Friday Afternoons, Op.7 - "ee-oh!"" was released on its scheduled release date, 1991. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Selections From Friday Afternoons, Op.7 - "ee-oh!"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Benjamin Britten, Toronto Children's Chorus's "Mostly Britten" album is number 3 out of 37. On top of that, Canada appears to be the country where this track was created. Selections From Friday Afternoons, Op.7 - "ee-oh!" is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Selections From Friday Afternoons, Op.7 - "ee-oh!" by Benjamin Britten, Toronto Children's Chorus to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

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Popularity: 0%
Loudness: -23.89 dB
Acousticness: 99%
Danceability: 45%
Energy: 12%
Instrumentalness: 73%
Liveness: 19%
Loudness: 60%
Speechiness: 5%
Valence: 44%

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Track	Artist	Key	Energy	Camelot	BPM
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The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony	Henry Purcell, English Chamber Orchestra, Benjamin Britten	D Major	3	10B	81 BPM
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Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso)	Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger	G Major	1	9B	92 BPM
Who is Sylvia?, Op.18, No.2 - Instrumental	Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon	E♭ Major	1	5B	138 BPM
Five Mystical Songs: 1. Easter	Ralph Vaughan Williams, Michael Leighton Jones, Jonathan Bradley, The Choir of Trinity College, Melbourne, Tinalley String Quartet	E♭ Major	3	5B	57 BPM
Háry János Suite: IV. The Battle and Defeat of Napoleon	Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain	F Major	1	7B	84 BPM
Sea Pictures, Op. 37: No. 2, In Haven (Capri)	Edward Elgar, Alice Coote, Sir Mark Elder, Hallé	C Major	1	8B	86 BPM
The Dream of Gerontius, Op. 38, Pt. 1: IIb. Kyrie eleison	Edward Elgar, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins	E♭ Major	0	5B	129 BPM
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Empty Abyss	Orithia	A Minor	0	8A	76 BPM
The Salley Gardens	Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey	F♯ Major	1	2B	68 BPM
Suite de danzas criollas, Op. 15: I. Adagietto pianissimo	Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor	G Major	0	9B	144 BPM
The Dream of Gerontius, Op. 38, Pt.1: Proficiscere, anima Christiana	Edward Elgar, Bryn Terfel, Sir Mark Elder, Hallé	D Major	1	10B	167 BPM
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	E Major	2	12B	76 BPM
Stabat Mater, Op. 58: X. Quando corpus morietur (Andante con moto)	Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch	C Minor	1	5A	76 BPM
2 Elegiac Melodies, Op. 34: No. 1, The Wounded Heart	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	G Major	2	9B	72 BPM
String Symphony No. 5 in B-Flat Major, MWV N5: II. Andante	Felix Mendelssohn, English String Orchestra, William Boughton	G Major	0	9B	83 BPM
Simple Symphony, Op. 4: II. Playful Pizzicato	Benjamin Britten, English Chamber Orchestra	C Major	2	8B	121 BPM
War Requiem, Op. 66: xxii. Libera Me - Libera me	Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra	C Minor	2	5A	86 BPM
2 Sacred Songs: No. 1, Alleluia	Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava	D Major	0	10B	84 BPM
Vaughan Williams: Symphony No. 6 in E Minor: IV. Epilogue. Moderato	Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra	E Major	1	12B	87 BPM