"We Are (Arr. for Cello and Orchestra by Julian Riem)" by Yuriy Shevchenko, Raphaela Gromes, Ukraine National Symphony Orchestra, Volodymyr Sirenko had its release date on August 9, 2024. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since We Are (Arr. for Cello and Orchestra by Julian Riem) only contains only one song in the album, we like to consider this song as a single. Based on our data, Germany was the country where this track was produced or recorded. We Are (Arr. for Cello and Orchestra by Julian Riem) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since We Are (Arr. for Cello and Orchestra by Julian Riem) by Yuriy Shevchenko, Raphaela Gromes, Ukraine National Symphony Orchestra, Volodymyr Sirenko has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With We Are (Arr. for Cello and Orchestra by Julian Riem) being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elegy (on a song by Sayat-Nova) | Arno Babadjanian, Jean-Paul Gasparian | D Minor | 1 | 7A | 68 BPM | ||
| Air on the G String (Bwv 1068) | Simone Dinnerstein, Baroklyn | D Major | 2 | 10B | 65 BPM | ||
| Consolation | Alain Lefèvre | D Major | 1 | 10B | 169 BPM | ||
| Chopin: Nocturne No. 21 in C Minor, Op. Posth. (Transcr. Kadouch & Moreau for Cello and Piano) | Frédéric Chopin, Edgar Moreau, David Kadouch | F Minor | 0 | 4A | 147 BPM | ||
| Harp of Ages: II. Sister Juana's Hymn | Michael Daugherty, Andrew Litton, Colorado Symphony, Courtney Hershey Bress | A Minor | 1 | 8A | 75 BPM | ||
| Einaudi: Experience (Arr. Lawson for Ensemble) | VOCES8, Lara Somogyi, Thomas Gould, Emma Denton, Elsa Bradley | D Major | 1 | 10B | 92 BPM | ||
| Calon Lân (Arr. Braimah & Aminata Kanneh-Mason for 2 Violins) | John Hughes, Aminata Kanneh-Mason, Braimah Kanneh-Mason | G Major | 1 | 9B | 77 BPM | ||
| Quatre Pièces romantiques, Op. 30: III. Berceuse | Charlotte Sohy, Marie Vermeulin | F Minor | 0 | 4A | 62 BPM | ||
| Mendelssohn Variation (From Violin Concerto, Op.64/ MWV O14, Arr. for Piano by Jan-Peter Klöpfel) | Felix Mendelssohn, Gabriele Bagnati | E Minor | 2 | 9A | 84 BPM | ||
| Lobgesang: I. Introduzione Pastorale. Andante con moto | Fanny Mendelssohn, Kammerakademie Potsdam, Justin Doyle | G Major | 1 | 9B | 63 BPM | ||
| Erbarme dich, mein Gott Variation (After Matthäuspassion, BWV 244, No. 47: Erbarme dich, mein Gott) [Arr. for Violin, String Quintet & Piano by Tim Allhoff] | Johann Sebastian Bach, Tim Allhoff, Eldbjørg Hemsing, Norwegian String Quintet | C Major | 1 | 8B | 81 BPM | ||
| Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, Chineke! Orchestra, Leslie Suganandarajah | A Major | 1 | 11B | 72 BPM | ||
| DNA (Arr. Knoth for Piano Quintet) | Ludovico Einaudi, Mari Samuelsen, Karolina Errera, Alexander Kovalev, Otto Tolonen, Julien Quentin | D♭ Minor | 1 | 12A | 94 BPM | ||
| Berceuse, Op. 20 | Eugène Ysaÿe, María Dueñas, Wiener Symphoniker, Manfred Honeck | E Minor | 0 | 9A | 131 BPM | ||
| Gymnopédie No. 1. Lent et douloureux (Transcr. Ottensamer for Clarinet and Piano) | Erik Satie, Andreas Ottensamer, José Gallardo | G Major | 0 | 9B | 67 BPM | ||
| Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | ||
| Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears") | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Secrets in the Sand | Grant Kirkhope, The City of Prague Philharmonic Orchestra | C Major | 1 | 8B | 81 BPM | ||
| Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
| Memories of Me | Georges Delerue, Renaud Capuçon, Les Siècles, Duncan Ward | E♭ Major | 1 | 5B | 77 BPM | ||
| Six Pieces for Violin & Piano: III. Lento (Arr. for Violin & Harp by Esther Abrami) | Amanda Rontgen-Maier, Esther Abrami, Lavinia Meijer | D♭ Major | 1 | 3B | 101 BPM | ||
| Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Raphaela Gromes, Julian Riem | C Major | 1 | 8B | 69 BPM | ||
| Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | F Major | 0 | 7B | 81 BPM | ||
| Symphony No. 4 in D Minor: III. Juba. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A Minor | 1 | 8A | 87 BPM | ||
| The Tempest, Op. 109: III. Allegretto grazioso | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM |