"響的印象「教会のステンドグラス」より Ⅰ,Ⅱ" by O. レスピーギ, 東邦音楽大学ウィンドオーケストラ・スペシャルユニット had its release date on July 4, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 日本の音楽大学撰 ― 特別篇 ブラヴォー!東邦音楽大学 コンクール自由曲集 『キューバ序曲』, so we believe that "響的印象「教会のステンドグラス」より Ⅰ,Ⅱ" is a single. Based on our statistics, 響的印象「教会のステンドグラス」より Ⅰ,Ⅱ's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 響的印象「教会のステンドグラス」より Ⅰ,Ⅱ by O. レスピーギ, 東邦音楽大学ウィンドオーケストラ・スペシャルユニット is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jūra, MKČ 102: VII. Coda | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Mother Tree | Saleh Sarabov, Saleh Sarab | A♭ Major | 3 | 4B | 110 BPM | ||
| The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | ||
| チェロ協奏曲 ニ長調 作品101 Hob. VIIb-2 II - Adagio | Joseph Haydn, 藤原真理, Netherlands Chamber Orchestra, Michiyoshi Inoue | A Major | 1 | 11B | 103 BPM | ||
| Digital Aurora | Lumi Risto | C Minor | 8 | 5A | 112 BPM | ||
| Trumpet Concerto in A-Flat Major: Meno mosso | Alexander Arutiunian, Selina Ott, Vienna Radio Symphony Orchestra, Roberto Paternostro | D♭ Minor | 0 | 12A | 112 BPM | ||
| Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
| Egmont, complete incidental music, Op. 84: ix. Melodrama: Poco sostenuto | Beethoven, Maurice Abravanel, Utah Symphony Orchestra, Netania Davrath, Walther Reyer | E Minor | 2 | 9A | 82 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Ravel: Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Armin Jordan, Orchestre de Chambre de Lausanne | C Minor | 1 | 5A | 129 BPM | ||
| VII. Galop | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Minor | 3 | 5A | 147 BPM | ||
| リュートのための古風な舞曲とアリア 第3組曲 Ⅲ. シチリアーナ Andantino | O. レスピーギ, ジョヴァンニ・グリエルモ(ソロ・ヴァイオリン), 東京ヴィヴァルディ合奏団 | C Minor | 1 | 5A | 82 BPM | ||
| Dvorak Symphony No 8 Sht | Belize Ensemble | G Major | 0 | 9B | 61 BPM | ||
| Serenade in B-Flat Major, K. 361 "Gran Partita": VII. Finale—Rondo. Allegro molto | Wolfgang Amadeus Mozart, Netherlands Wind Ensemble, Edo de Waart | F Major | 2 | 7B | 77 BPM | ||
| Petrouchka: Valse la ballerine et le maure | Ferenc Fricsay, Berliner Philharmoniker | F♯ Major | 3 | 2B | 149 BPM | ||
| Britten: Soirées musicales, Op. 9: V. Tarantella | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | F Major | 2 | 7B | 77 BPM | ||
| Serenade No. 1 in D Major, Op. 11: II. Scherzo. Allegro non troppo | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | D Minor | 1 | 7A | 68 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | F Major | 2 | 7B | 77 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: IV. Allegro molto - Lento - Allegro molto - Meno mosso - Allegro molto - Molto meno mosso - Adagio - Largo - Presto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | G Major | 0 | 9B | 151 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | F Major | 2 | 7B | 77 BPM | ||
| Danzas fantásticas, Op. 22: I. Exaltación | Joaquín Turina, Juanjo Mena, BBC Philharmonic | E Minor | 0 | 9A | 129 BPM | ||
| Concerto For Oboe And Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | E Minor | 2 | 9A | 91 BPM | ||
| Sibelius: Finlandia, Op. 26 | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 2 | 4B | 109 BPM | ||
| シチリアーノ | O. レスピーギ, 藤森亮一(チェロ), カール=アンドレアス・コリー(ピアノ) | A Minor | 1 | 8A | 78 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM |