"We All Become" by Darren Korb, Ashley Barrett had its release date on December 1, 2020. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Songs of Supergiant Games". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, We All Become's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With We All Become by Darren Korb, Ashley Barrett having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aux Lendemains non Écrits | Lorien Testard, Alice Duport-Percier | A♭ Minor | 1 | 1A | 100 BPM | ||
| The Last Flame | Piotr Musiał | F Minor | 2 | 4A | 70 BPM | ||
| Choosing Hope | Nobuo Uematsu | G Minor | 3 | 6A | 140 BPM | ||
| liquescimus | フォスフォフィライト(CV.黒沢ともよ) | E♭ Minor | 2 | 2A | 138 BPM | ||
| Sleeping in the Cold Below | Keith Power, Alan Doyle, Damhnait Doyle | G Minor | 6 | 6A | 152 BPM | ||
| Everything's Alright (From "To the Moon") | Laura Shigihara | C Major | 1 | 8B | 109 BPM | ||
| Mother | Beícoli | A♭ Major | 3 | 4B | 110 BPM | ||
| Brave New World | Kalandra | B Minor | 7 | 10A | 110 BPM | ||
| The Final Fire | Joel Bille, Bortre Rymden | A Major | 1 | 11B | 76 BPM | ||
| How It Ends | Jon Bentley | C Major | 5 | 8B | 120 BPM | ||
| Bonds Reforged | Thomas Brunet | D♭ Minor | 3 | 12A | 140 BPM | ||
| Lullaby of the Manifold (Dusk) | Warframe, Matthew Chalmers | E Minor | 3 | 9A | 134 BPM | ||
| Diggers | Bitter Ruin | G Minor | 4 | 6A | 155 BPM | ||
| To the Wilder feat. Elle Fanning | Woodkid, Elle Fanning | A Minor | 5 | 8A | 85 BPM | ||
| Drowning Water | Port Sulphur Band, Dominik Zingler, Nicolette Stewart | E♭ Minor | 3 | 2A | 130 BPM | ||
| The Wretched Automatons | SQUARE ENIX MUSIC | G Minor | 6 | 6A | 124 BPM | ||
| Mischievous Alchemy | Amos Roddy, ToyTree | A♭ Major | 3 | 4B | 136 BPM | ||
| The City Must Survive | Piotr Musiał | G Minor | 7 | 6A | 95 BPM | ||
| I Can Teach You | Austin Wintory, Tripod, Khary Payton, Laura Bailey, Janina Gavankar | G Minor | 3 | 6A | 144 BPM | ||
| Epilogue | Yuka Kitamura | F♯ Major | 7 | 2B | 111 BPM | ||
| Malenia, Butterfly of Aeonia | Theophany, Laura Intravia, Shea's Violin | C Minor | 3 | 5A | 105 BPM | ||
| The Darkest of Days | Piotr Musiał | F Minor | 3 | 4A | 87 BPM | ||
| Trilobyte (Castle) | A Shell In The Pit | G Major | 9 | 9B | 140 BPM | ||
| Any Love of Any Kind (Choir Version) | Woodkid | B Minor | 3 | 10A | 141 BPM | ||
| the end of all you'll know | Scott Matthew | G Minor | 1 | 6A | 73 BPM |