- BPM
- 147
- Key
- A Minor
- Camelot
- 8A
Draw A Map by Hilary Hahn, Hauschka Song Details
Hilary Hahn, Hauschka's ' "Draw A Map" was released on its scheduled release date, January 1, 2012. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Draw A Map's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Silfra". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Based on our statistics, Draw A Map's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
With Draw A Map by Hilary Hahn, Hauschka having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -15.337 dB
- Acousticness
- 79%
- Danceability
- 66%
- Energy
- 42%
- Instrumentalness
- 70%
- Liveness
- 5%
- Loudness
- 74%
- Speechiness
- 8%
- Valence
- 56%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | C Major | 1 | 8B | 85 BPM | |
 | Cantabile | Niccolò Paganini, Midori, Robert McDonald | D Major | 1 | 10B | 81 BPM | |
 | Cantata, BWV 204 "Ich bin vergnügt": Aria "Die Schätzbarkeit der weiten Erde" | Johann Sebastian Bach, Christine Schäfer, Hilary Hahn, Munich Chamber Orchestra, Alexander Liebreich, Rosario Conte, Kristin von der Goltz, Naoki Kitaya | F Major | 1 | 7B | 86 BPM | |
 | Blue Part of the Windshield | Tom Brosseau, Hilary Hahn | B Major | 1 | 1B | 160 BPM | |
 | Grieg: Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | C Minor | 1 | 5A | 83 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | |
 | Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | |
 | Two Voices | Nico Muhly, Hilary Hahn, Cory Smythe | C Major | 0 | 8B | 97 BPM | |
 | Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | |
 | Violin Concerto, Op. 30: Ig. Studio VI - Per i 24 quarti di tono. Larghissimo | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 95 BPM | |
 | Tchaikovsky: Violin Concerto in D Major, Op. 35: II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Eugene Ormandy, Philadelphia Orchestra | E♭ Major | 0 | 5B | 122 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | |
 | Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | |
 | Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | |
 | Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM | |
| Violin Sonata No. 3 in C Major, BWV 1005: IV. Allegro assai | Johann Sebastian Bach, Hilary Hahn | C Major | 2 | 8B | 139 BPM | |
 | Violin Concerto in D Major, Op. 35, TH. 59: III. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B Minor | 1 | 10A | 82 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | |
| St. Matthew Passion, BWV 244 / Part Two (Arr. Mendelssohn 1841): XXXIX. Aria (Alto): "Erbarme dich" | Johann Sebastian Bach, Christine Schäfer, Hilary Hahn, Munich Chamber Orchestra, Alexander Liebreich, Rosario Conte, Kristin von der Goltz, Naoki Kitaya | E Minor | 2 | 9A | 80 BPM | |
 | Violin Sonata No. 5 in F Major, Op. 24 "Spring": 1. Allegro | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | C Major | 2 | 8B | 152 BPM | |
 | Piano Trio No. 1 in D Minor, Op. 49: I. Molto allegro e agitato | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Minor | 1 | 7A | 98 BPM | |
| Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": I. Adagio sostenuto – Presto | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | A Minor | 2 | 8A | 140 BPM | |
 | North Atlantic | Hilary Hahn, Hauschka | A Minor | 4 | 8A | 82 BPM | |
 | Tarantelle, Op. 23 | William Henry Squire, Oliver Gledhill, Tadashi Imai | D Major | 1 | 10B | 141 BPM |
- ISRC
- DEN961101990
- Label
- L-M Records/RCA Records