"Harp Quintet: I. Tempo moderato" by Arnold Bax, Mobius had its release date on July 9, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 11 in Bax: Harp Quintet / Elegiac Trio / Fantasy Sonata by Arnold Bax. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Harp Quintet: I. Tempo moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harp Quintet: I. Tempo moderato by Arnold Bax, Mobius is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" | Georges Bizet, Alexander Gibson, Scottish National Orchestra | D♭ Major | 0 | 3B | 76 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | D♭ Major | 0 | 3B | 76 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Daniel Harding, Bavarian Radio Symphony Orchestra | C Minor | 2 | 5A | 89 BPM | ||
| Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D♭ Major | 0 | 3B | 76 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Color Field: I. Yellow | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
| Viola Sonata: II. Allegro energico e non troppo presto | Arnold Bax, Martin Outram, Julian Rolton | B Minor | 1 | 10A | 115 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Simple Symphony, Op. 4: Frolicsome Finale | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | G Major | 2 | 9B | 155 BPM | ||
| Woodland Suite: I. At Evening Bell | George Dyson, BBC Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 96 BPM | ||
| Job, Scene I: Introduction - Pastoral Dance - Satan's Appeal to God - Saraband of the Sons of God | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | G Minor | 0 | 6A | 129 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | D♭ Major | 0 | 3B | 76 BPM | ||
| Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 103 BPM | ||
| Tempus fugit: I. Part 1 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 123 BPM | ||
| Pastoraalisarja, Op. 34: III. Legenda | Leevi Madetoja, Oulu Sinfonia, Rumon Gamba | A Minor | 0 | 8A | 75 BPM | ||
| Bax : There Is No Rose Of Such Virtue | Arnold Bax, Cypress | F Major | 1 | 7B | 80 BPM | ||
| Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | D♭ Major | 0 | 3B | 76 BPM | ||
| A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Suite from The Victorian Kitchen Garden: III. Mists | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | G Minor | 0 | 6A | 66 BPM | ||
| Sea Pictures: IV. Nocturne "Song of the Watch" | Uuno Klami, Turku Philharmonic Orchestra, Jorma Panula | D Minor | 0 | 7A | 75 BPM |