"心の四季 愛そして風" by 高田三郎, 大久保混声合唱団, 菊池百合子, 辻正行 had its release date on January 22, 1997. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. 心の四季 愛そして風's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 日本合唱曲全集/高田 三郎 作品集1, so we believe that "心の四季 愛そして風" is a single. The popularity of 心の四季 愛そして風 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 心の四季 愛そして風 by 高田三郎, 大久保混声合唱団, 菊池百合子, 辻正行 is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| Hino 234 - O Meu Ser Entrego a Cristo (Ensaio Regional CCB Cascavel) | CCB Orquestrado | D Major | 3 | 10B | 70 BPM | ||
| M'anidaso | JAMES VARRICK ARMAAH, Harmonious Chorale, Franklynne Gyimah | E♭ Major | 5 | 5B | 122 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| Hébé, Op. 2 No. 6 | Ernest Chausson, Axel Bauni, Stella Doufexis | A Minor | 0 | 8A | 85 BPM | ||
| Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | ||
| Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | E♭ Major | 0 | 5B | 77 BPM | ||
| Quando corpus morietur | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | B Minor | 0 | 10A | 173 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Eternal Light: A Requiem (2008): Dies Irae: In Flanders fields | Howard Goodall, Stephen Darlington, London Musici | D Minor | 2 | 7A | 171 BPM | ||
| We Are Held | Canadian Staff Songsters | C Minor | 2 | 5A | 77 BPM | ||
| Emily — No Prisoner Be: No. 11, A little Snow | Kevin Puts, Time For Three, Joyce DiDonato | G Major | 2 | 9B | 74 BPM | ||
| Granados / Transcr. Bakish: 12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja | Enrique Granados, Liat Cohen, Charles Castronovo | A Minor | 1 | 8A | 87 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | G Major | 2 | 9B | 74 BPM | ||
| みどりもふかき(第122番) | 日本女声合唱団 | D Major | 1 | 10B | 72 BPM | ||
| The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | ||
| Suor Angelica: La grazie è dicesa dal cielo | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 76 BPM | ||
| オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より | 蒲原史子 | A Major | 1 | 11B | 85 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | G Major | 2 | 9B | 74 BPM | ||
| ひたすらな道 弦 | 高田三郎, 盛岡コメット混声合唱団, 水野朋子 | C Minor | 1 | 5A | 125 BPM | ||
| Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
| 内なる遠さ 燃えるもの―蜘蛛 | 高田三郎, 盛岡コメット混声合唱団, 樋口洋子 | G Minor | 0 | 6A | 163 BPM | ||
| Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
| キリストにはかえられません(讃美歌第2編 第195番) | 聖ヶ丘教会聖歌隊 | D Major | 2 | 10B | 159 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 8, The mind bold and independent (Demons) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM |