"Chapter 154 - The Future" by Catherine Leroux, Karie Richards had its release date on January 16, 2024. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 195 in the song's album "The Future (Unabridged)". In this album, this song's track order is #154. Furthermore, we believe that the track originated from Germany. Chapter 154 - The Future is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chapter 154 - The Future by Catherine Leroux, Karie Richards having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trombone Concerto (Arr. for Trombone & Orchestra by John Dickson): II. Waltse for Joe | Chick Corea, Joseph Alessi, Nashville Symphony Orchestra, Giancarlo Guerrero | B♭ Minor | 0 | 3A | 77 BPM | ||
| Serenata from "Pulcinella" | Igor Stravinsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra | D Minor | 6 | 7A | 123 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Hommage à J Sebastian Bach | Béla Kovács, José María Belló García | B Minor | 1 | 10A | 120 BPM | ||
| Hommage à Manuel de Falla | Bela Kovacs, André Moisan | A Minor | 1 | 8A | 73 BPM | ||
| Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
| プロヴァンスの風景: 若い娘たちのファランドール | Paule Maurice, Nobuya Sugawa, 小柳美奈子 | G Major | 2 | 9B | 78 BPM | ||
| Chapter 58 - The Future | Catherine Leroux, Karie Richards | B♭ Minor | 1 | 3A | 172 BPM | ||
| Chapter 15 - The Future | Catherine Leroux, Karie Richards | B Major | 1 | 1B | 78 BPM | ||
| Light of Sothis: I. Grace | Amy Quate, Alex Mitchell, Jeremy Limb | C Major | 1 | 8B | 108 BPM | ||
| Dance Preludes for Clarinet and Piano: No. 2, Andantino | Witold Lutosławski, Anastasia Schmidlin, Denis Zhdanov | B♭ Minor | 0 | 3A | 133 BPM | ||
| Danzón | Johanny Navarro, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Chapter 13 - The Future | Catherine Leroux, Karie Richards | B Major | 1 | 1B | 78 BPM | ||
| Tableaux de Provence: I. Farandoulo di Chatouno | Paule Maurice, Dominic Childs, Simon Callaghan | G Major | 1 | 9B | 76 BPM | ||
| Préludes, Book 2, L. 123 (Excerpts): No. 7, La terrasse des audiences du clair de lune | Claude Debussy, Jorge Federico Osorio | F♯ Major | 0 | 2B | 75 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
| Andante | Antonio Capuzzi, Philip Catilinet, David Zerkel, Paolo Andre Gualdi | B♭ Major | 0 | 6B | 63 BPM | ||
| Poulenc: Cello Sonata, FP 143: III. Ballabile | Francis Poulenc, Daniel Müller-Schott, Robert Kulek | F Minor | 1 | 4A | 78 BPM | ||
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romanze. Andante | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 0 | 9B | 86 BPM | ||
| Sonate en Ut dièse: I. Très modéré, expressif | Fernande Decruck, Catherine Leroux, Louis-Philippe Bonin | F♯ Major | 2 | 2B | 82 BPM | ||
| Ibert: 3 Pièces brèves: I. Allegro | Jacques Ibert, Les Vents Français, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 116 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM |