Ralph Benatzky, Gretl Schörg, Bruno Fritz's 'Im weissen Rössl: Dialog (Josepha, Gieseke)' had a release date set for January 22, 2015. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 33 in Benatzky: Im weissen Rössl by Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Gretl Schörg, Willy Hofmann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Im weissen Rössl: Dialog (Josepha, Gieseke) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Im weissen Rössl: Dialog (Josepha, Gieseke) by Ralph Benatzky, Gretl Schörg, Bruno Fritz is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
| Im weißen Rössl: Im weißen Rössl | Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek | A♭ Major | 3 | 4B | 121 BPM | ||
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Im Weissen Rössl am Wolfgangsee | Ralph Benatzky, Max Hansen, Paul Godwin Orchestra | A♭ Major | 3 | 4B | 126 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Walzer | Franz Lehár, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 99 BPM | ||
| Castaldo | Rudolf Novacek, Tschechische Philharmonie, Václav Neumann | B Minor | 5 | 10A | 124 BPM | ||
| Schenkt man sich Rosen in Tirol (From "Der Vogelhändler) | Carl Zeller, Jonas Kaufmann, Ádám Fischer | B♭ Major | 3 | 6B | 82 BPM | ||
| Merci, mon ami | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Bavarian Radio Symphony Orchestra, Eugen Jochum | E♭ Major | 1 | 5B | 110 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| Liebesgeschichten sind meistens nicht wahr | Ralph Benatzky, Greta Keller, Peter Kreuder Solisten, Peter Kreuder | D♭ Major | 0 | 3B | 108 BPM | ||
| Frühlingsstimmenwalzer | Vienna Walzer Orchestra | C Minor | 1 | 5A | 104 BPM | ||
| Die Zeisserln, Walzer, Op. 114 | Josef Strauss, Christian Pollack, Slovak State Philharmonic Orchestra, Kosice | B♭ Major | 1 | 6B | 176 BPM | ||
| Der Zigeunerbaron, Operetta in 3 Acts: Ja, das alles auf Ehr' | Johann Strauss II, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | C Major | 3 | 8B | 179 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| Mit 'nem kleenen Stückchen Glück | Kurt Pratsch-Kaufmann, Alfred Schieske, Friedrich Schoenfelder | C Major | 4 | 8B | 128 BPM | ||
| Nachtschwärmer, Walzer, Op. 466 | Carl Michael Ziehrer, Daniel Barenboim, Wiener Philharmoniker | G Major | 1 | 9B | 98 BPM | ||
| Im weißen Rössl: Mein Liebeslied muss ein Walzer sein | Ralph Benatzky, Ingrid Kertesi, János Berkes, Hungarian Operetta Orchestra, Laszlo Kovacs | A Major | 3 | 11B | 129 BPM | ||
| The Gypsy Princess (Die Csárdásfürstin): "Ganz ohne Weiber geht die Chose nicht" | Emmerich Kálmán, Willy Hofmann, Renate Holm, Grosses Operetten Orchester, Franz Marszalek | C Major | 5 | 8B | 115 BPM | ||
| La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
| Triglav, Op. 72 | Julius Fučík, Tschechische Philharmonie, Václav Neumann | G Major | 5 | 9B | 122 BPM | ||
| Im weissen Rössl: "Eine Kuh, so wie du" - Dialog (Chor) | Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Die Nicolets | E♭ Major | 5 | 5B | 121 BPM | ||
| Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
| Das Veilchenmädel: Fidele Brüder | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | A Major | 3 | 11B | 102 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Aus ist's mit der Liebe - Ganz ohne weiber geht die Chose nicht (Boni - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Major | 3 | 8B | 107 BPM | ||
| Berliner Luft | Paul Lincke, Stockholm Philharmonic Palm Court Orchestra, Lars Almgren | D Major | 2 | 10B | 132 BPM |