Rochana Dahanukar's ' "Raat Bhar Mujhko Gam E Yaar" was released on its scheduled release date, 1995. This song is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Tasveer (Ghazals)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Raat Bhar Mujhko Gam E Yaar is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Raat Bhar Mujhko Gam E Yaar by Rochana Dahanukar having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Raghuvir K Darbar Me | Rudraa | D♭ Major | 8 | 3B | 147 BPM | ||
| Maa Bhervi Bhavtarini | Dev Ranjan Giri | B♭ Minor | 3 | 3A | 124 BPM | ||
| Chitravati Tata Vishaala Sundara Sai | Connecting Lives | B♭ Minor | 6 | 3A | 85 BPM | ||
| Zindagi Tujhko Manane Nikle | Chandan Dass | A♭ Major | 5 | 4B | 142 BPM | ||
| Om Jai Jagdish (Aarti) | Abhi Dutt | F♯ Minor | 7 | 11A | 102 BPM | ||
| Parampita Shiv Parmatma | Brahma Kumari | D Major | 6 | 10B | 95 BPM | ||
| Hum Bhakton Ki Aankho Main | Madan Gopal | E Major | 4 | 12B | 176 BPM | ||
| Aa Mere Humjoli Aa | Mohammad Salamat, Sadhana Sargam | B Major | 6 | 1B | 96 BPM | ||
| Jhilmil Jhilmil Taaronwali | Kavita Krishnamurthy | D Major | 3 | 10B | 123 BPM | ||
| Patta Patta Boota Boota Hal Hamara Jane Hai | Ghulam Ali | D♭ Major | 5 | 3B | 144 BPM | ||
| Ek Hi Khwab Kai Baar Dekha Commentary - Gulzar | Bhupinder Singh, Hema Malini, Commentary - Gulzar, R. D. Burman | G Major | 1 | 9B | 108 BPM | ||
| Kya Main Ik Harf | Quincy Chett | E♭ Major | 3 | 5B | 105 BPM | ||
| Sadho Nindak Mitra Hamara | Devi Chitralekhaji | F Minor | 7 | 4A | 155 BPM | ||
| Vishnu Suktam | Ramakrishna Math, Swami Sarvagananda | G Major | 3 | 9B | 108 BPM | ||
| Mata Tere Charno | Santi Kunj | A♭ Major | 6 | 4B | 81 BPM | ||
| In Nainan Ko Mohe Bharoso | Hita Ambrish | B Minor | 7 | 10A | 107 BPM | ||
| Das Way Wakeela - Orignal | Shahid Ali Nusrat | E♭ Major | 5 | 5B | 85 BPM | ||
| Keval Satya Vichara | Samir Date, Dipalee Somaiya Date | F Minor | 5 | 4A | 87 BPM | ||
| Dattatreya Atreya Putra | Sri Ganapathy Sachchidananda Swamiji | E♭ Minor | 6 | 2A | 198 BPM | ||
| Bechain Bahut Phirna | Ghulam Ali | D♭ Minor | 4 | 12A | 138 BPM | ||
| Krishna De Do Darshan | Kishan Kumar Budhadev | G Major | 3 | 9B | 154 BPM | ||
| Tum Na Aaye To Kya | Aditya Singh | E♭ Minor | 9 | 2A | 128 BPM | ||
| Kanhaiya Le Chal Parli Paar | Ripudaman Joshi | D Major | 3 | 10B | 100 BPM | ||
| Aye Kash Woh Kisi Din - From "Hum Hain Pyaar Mein" | Jagjit Singh | F Major | 6 | 7B | 96 BPM | ||
| Saraswati Vandana - Hey Sharde Maa | Meet Tripathi | E Major | 6 | 12B | 180 BPM |