Ghulam Ali's ' "Bechain Bahut Phirna" was released on its scheduled release date, January 1, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Best Of Ghulam Ali by Ghulam Ali. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Bechain Bahut Phirna's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Bechain Bahut Phirna by Ghulam Ali is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Des Chhudaye Bhes Chhudaye | Kishore Kumar | E♭ Major | 3 | 5B | 161 BPM | ||
| Lai Hayat Aye Qazal - E - Chali Chal | Bhupinder Singh | B♭ Major | 4 | 6B | 156 BPM | ||
| Mera Ban Jaye Koi | Mohammed Rafi | A♭ Major | 7 | 4B | 75 BPM | ||
| Ruk Ja Sathi-Lata Mangeshkar | Anwar Hussain | E Major | 3 | 12B | 110 BPM | ||
| Dulha Sindoor Leo Hath | Sharda Sinha | D♭ Major | 5 | 3B | 148 BPM | ||
| Mujhko Bhule Hue | Chandan Dass | A♭ Major | 0 | 4B | 91 BPM | ||
| Ye Khuda Karim | Mubarak Begum | F♯ Major | 3 | 2B | 136 BPM | ||
| Aaradhe Man Shyam Radhe | Hari Om Sharan | F Major | 2 | 7B | 67 BPM | ||
| Yati Kul Majhe Gele Harvuni | Godavaribai Munde, Rameshbuva Shegaonkar | A Major | 5 | 11B | 84 BPM | ||
| Tumse Milenge Sawan Ki | Chhote Majid Shola | F Minor | 5 | 4A | 96 BPM | ||
| Chhupaun Kaise Bhala Apna Pyar Duniya Se | Anuradha Paudwal, Chandan Dass | A♭ Minor | 5 | 1A | 104 BPM | ||
| Tum Mera Paas Raho | Nayyara Noor | E♭ Major | 2 | 5B | 148 BPM | ||
| Aa Teri Tasveer Bana Loon (From "Nadaan") | Talat Mahmood, C. Ramchandra | F Minor | 1 | 4A | 123 BPM | ||
| Prabhuji Mere Avgun Chit Na Dharo | Ashok Kumar, Kalyanji-Anandji | G Major | 6 | 9B | 124 BPM | ||
| Ae Shama Tu Bata | Suraiya | E Major | 2 | 12B | 136 BPM | ||
| Ajnabi Shehar Mein | Ashok Khosla | F♯ Minor | 4 | 11A | 116 BPM | ||
| Hit [Flash] Of 1965- No 30 (Man Re Tu Kahe Na Dheer Dhare) - Commentary | Mohammed Rafi, Ameen Sayani | B♭ Minor | 4 | 3A | 103 BPM | ||
| Yeh Na Thi Hamari Qismat | Begum Akhtar | F Major | 3 | 7B | 69 BPM | ||
| Andhe-ki-laathitu Hi Hai | K. L. Saigal | F♯ Major | 3 | 2B | 102 BPM | ||
| Teri Yaad Aa Gai | Masood Rana | D♭ Minor | 3 | 12A | 152 BPM | ||
| Commentry And Pee Bin Soona Ji | Lata Mangeshkar, Manna Dey, Ameen Sayani | D♭ Major | 2 | 3B | 129 BPM | ||
| Shabab Par Hai Jawani | Pankaj Udhas | F Major | 4 | 7B | 88 BPM | ||
| Beeti Batein | Hariharan | A Minor | 4 | 8A | 99 BPM | ||
| Hazaaron Khwahishein | Aditya Singh | F♯ Major | 5 | 2B | 108 BPM | ||
| Naam Japan Kyon Chhod Diya | Bhimsen Joshi | F♯ Minor | 3 | 11A | 138 BPM |