"Autodreamographical Tales (Arr. G. Riley for Chamber Ensemble): I. Dwarf" by Terry Riley, Bang On A Can All-Stars had its release date on March 25, 2022. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Autodreamographical Tales (Arr. G. Riley for Chamber Ensemble): I. Dwarf's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Terry Riley: Autodreamographical Tales". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Autodreamographical Tales (Arr. G. Riley for Chamber Ensemble): I. Dwarf's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Autodreamographical Tales (Arr. G. Riley for Chamber Ensemble): I. Dwarf by Terry Riley, Bang On A Can All-Stars having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Music for 18 Musicians: Section I | Steve Reich | D Major | 3 | 10B | 102 BPM | ||
| Invocation | Stuart Dempster, David Gamper, Pauline Oliveros, Julie Lyon Balliet, Deep Listening Band | A Major | 0 | 11B | 75 BPM | ||
| Blues Nile | Jon Hassell | C Major | 6 | 8B | 140 BPM | ||
| Dream Dialogue | Brecht Ameel | A♭ Major | 2 | 4B | 172 BPM | ||
| Discreet Music, Pt. 1 | Brian Eno, Emma Zoe Elkinson, Dean Pomeroy, Contact | A♭ Major | 1 | 4B | 58 BPM | ||
| Light Is Calling | Michael Gordon | A♭ Major | 3 | 4B | 84 BPM | ||
| Melancholia I | William Basinski | E Major | 1 | 12B | 80 BPM | ||
| Let Us Go Into The House Of The Lord/Butterfly Sunday | Harold Budd | D♭ Major | 0 | 3B | 173 BPM | ||
| And the Darkest Hour is Just Before Dawn | Daniel Schmidt | D Minor | 0 | 7A | 130 BPM | ||
| Hosianna-Mantra | Popol Vuh | F Minor | 4 | 4A | 170 BPM | ||
| El Condor Vuelve a Llorar | Flor Huaracina | A♭ Minor | 5 | 1A | 122 BPM | ||
| Travellers 1, 2, 3 | Meredith Monk | F Major | 1 | 7B | 131 BPM | ||
| Sacrificial Code | Kali Malone | F♯ Minor | 0 | 11A | 68 BPM | ||
| Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM | ||
| The Dance No. 3 | Laraaji, Brian Eno | E♭ Major | 10 | 5B | 151 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: III | Morton Feldman, Ensemble Recherche | D Major | 0 | 10B | 136 BPM | ||
| 1ere Suite: Allemande | Johann Julius Sontag von Holt Sombach, Thomas Bloch | D Minor | 0 | 7A | 70 BPM | ||
| Wave iv | Knockoutsound4you | B♭ Major | 3 | 6B | 78 BPM | ||
| Act I: Trial 1, Entrance | Philip Glass Ensemble | D Major | 0 | 10B | 62 BPM | ||
| Model 2 | Karlheinz Stockhausen, Electric Phoenix | E Minor | 0 | 9A | 87 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| Appalachian Grove III | Laurie Spiegel | C Minor | 2 | 5A | 108 BPM | ||
| Echi di primavera | Fabio Massimo Capogrosso | E Major | 1 | 12B | 68 BPM | ||
| Guitars Out of Control | Marina Frescobaldi | E♭ Major | 3 | 5B | 33 BPM | ||
| Toucan Ocean | Jon Hassell | G Minor | 4 | 6A | 96 BPM |