Richard Wagner, Ferdinand Frantz, Gottlob Frick, Horst Wilhelm, Walter Stoll, Benno Kusche, Elisabeth Grümmer, Hanns Pick, Rudolf Schock, Robert Koffmane, Leopold Clam, Anton Metternich, Herold Kraus, Gustav Neidlinger, Marga Höffgen, Gerhard Unger, Manfr's 'Wagner: Die Meistersinger von Nürnberg: Act 3, Scene 5: Ihr tanzt? Was werden die Meister sagen? (David/Lehrbuben/Gesellen)' had a release date set for August 9, 2010. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Rudolf Kempe's "Icon: Rudolf Kempe" album is number 12 out of 112. On top of that, United Kingdom appears to be the country where this track was created. Wagner: Die Meistersinger von Nürnberg: Act 3, Scene 5: Ihr tanzt? Was werden die Meister sagen? (David/Lehrbuben/Gesellen) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wagner: Die Meistersinger von Nürnberg: Act 3, Scene 5: Ihr tanzt? Was werden die Meister sagen? (David/Lehrbuben/Gesellen) by Richard Wagner, Ferdinand Frantz, Gottlob Frick, Horst Wilhelm, Walter Stoll, Benno Kusche, Elisabeth Grümmer, Hanns Pick, Rudolf Schock, Robert Koffmane, Leopold Clam, Anton Metternich, Herold Kraus, Gustav Neidlinger, Marga Höffgen, Gerhard Unger, Manfr to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Siegfried, WWV 86C, Act I: Prelude | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 82 BPM | ||
| Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 140 BPM | ||
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
| Tuba mirum | Giuseppe Verdi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | D♭ Minor | 3 | 12A | 91 BPM | ||
| Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | ||
| Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
| Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | C Minor | 2 | 5A | 91 BPM | ||
| Soirées musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
| Symphony No. 2 in D Major, Op. 36: IV. Allegro molto | Ludwig van Beethoven, Douglas Bostock, Argovia Philharmonic | D Major | 2 | 10B | 138 BPM | ||
| Scheherazade, Op. 35: The Sea And Sinbad's Ship (Largo e maestoso - Lento - Allegro non troppo - Tranquillo) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | C Major | 1 | 8B | 79 BPM | ||
| Macbeth, Act I: Witches' Chorus. Che faceste? dite su! - Giorno non vid mai | Giuseppe Verdi, Piero Cappuccilli, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 1 | 3B | 81 BPM | ||
| Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
| Tannhäuser, Act III: Introduction. Tannhäuser's Pilgrimage | Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz | D Minor | 3 | 7A | 79 BPM | ||
| Tristan und Isolde, WWV 90 / Act 2: "Rette dich, Tristan!" | Richard Wagner, Wolfgang Windgassen, Claude Heater, Eberhard Waechter, Bayreuth Festival Orchestra, Karl Böhm | F♯ Minor | 2 | 11A | 89 BPM | ||
| Siegfried, WWV 86C, Act III: Siegfried! Siegfried! Seliger Held! | Richard Wagner, Simon O'Neill, Heidi Melton, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 2 | 8B | 89 BPM | ||
| Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 65 BPM | ||
| Humperdinck : Hänsel und Gretel : Overture to Act 1 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
| Serenade in B flat, K.361 "Gran partita": 3. Adagio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner | E♭ Major | 4 | 5B | 89 BPM | ||
| Der Freischütz, J. 277, Act III: Entr'acte | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | D Major | 3 | 10B | 118 BPM | ||
| Hungarian Rhapsody, S. 244: No. 2 in C Minor | Franz Liszt, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 86 BPM | ||
| Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
| Also sprach Zarathustra, Op. 30, TrV 176: 1. Einleitung (Sonnenaufgang) - Live | Richard Strauss, Lucerne Festival Orchestra, Riccardo Chailly | C Major | 2 | 8B | 145 BPM |