"Pandora" by Mark Barrott had its release date on November 29, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Everything Changes, Nothing Ends by Mark Barrott. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Pandora is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pandora by Mark Barrott is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hammers | Kessoncoda | B Major | 7 | 1B | 130 BPM | ||
| Soft Power | Ezra Feinberg, David Lackner | C Major | 3 | 8B | 100 BPM | ||
| Hazing | Mark Barrott, Richard Norris | D Major | 2 | 10B | 119 BPM | ||
| Vogelsanger II | Sergio Díaz De Rojas, Hollie Kenniff | A♭ Minor | 3 | 1A | 114 BPM | ||
| Oizys - Nailah Hunter Rework | James Heather, Nailah Hunter | C Minor | 3 | 5A | 79 BPM | ||
| Ouverture | CHLOE (Thévenin) | D Major | 2 | 10B | 119 BPM | ||
| Oceanium | Suzanne Ciani, Jonathan Fitoussi | F Major | 3 | 7B | 139 BPM | ||
| Back Then, Back When | Röyksopp | D Minor | 1 | 7A | 120 BPM | ||
| Trash Cathedral | Brambles | A Minor | 0 | 8A | 135 BPM | ||
| Mere | Ben Lukas Boysen | B♭ Minor | 8 | 3A | 120 BPM | ||
| Continuum 9 | Nala Sinephro | D Major | 1 | 10B | 168 BPM | ||
| The End Of Back To Back | The Black Dog | E♭ Minor | 4 | 2A | 92 BPM | ||
| Ours | Ben Lukas Boysen | D♭ Major | 6 | 3B | 110 BPM | ||
| Sunday Evenings | Chilled Ibiza, Mark Barrott | C Major | 5 | 8B | 90 BPM | ||
| Mourning cloaks | Shida Shahabi | F Major | 2 | 7B | 138 BPM | ||
| Keep Pulling Me In | Lucy Gooch | A Minor | 4 | 8A | 86 BPM | ||
| Farewell, Little Island | Green-House | D Major | 2 | 10B | 119 BPM | ||
| Past Tense | Stephen Shannon | A♭ Minor | 2 | 1A | 84 BPM | ||
| Gustav | Hania Rani | D Major | 2 | 10B | 119 BPM | ||
| Space is my Place (Mark Barrott’s Re: Imagination to the Sacred Heart Center) | Calm, Mark Barrott | D Major | 7 | 10B | 93 BPM | ||
| My Mind Is Slipping | Max Cooper | F♯ Major | 3 | 2B | 66 BPM | ||
| A Colour Field (Holocene) | Max Richter | F Major | 1 | 7B | 67 BPM | ||
| Blessing Of The Banners | Andrew Wasylyk, Tommy Perman | G Major | 3 | 9B | 99 BPM | ||
| Eight Miles High Alone | Marconi Union | A Major | 5 | 11B | 77 BPM | ||
| Blush | Jessie Marcella | F Minor | 1 | 4A | 75 BPM |