Hrishikesh Ranade's ' "Manatlya Manat Mi" was released on its scheduled release date, June 7, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hrishikesh Ranade, Prajakta Joshi- Ranade's "Kshan Moharte" album is number 5 out of 8. The popularity of Manatlya Manat Mi is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Manatlya Manat Mi by Hrishikesh Ranade to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zara Zara (Female Version) - From "Pyar Vali Love Story" | Sayali Pankaj | E Major | 2 | 12B | 74 BPM | ||
| Ka Kalena- Female | Bela Shende | C Major | 7 | 8B | 124 BPM | ||
| Vesavachi Paroo | Shrikant Narayan | B♭ Minor | 4 | 3A | 86 BPM | ||
| Bai Bai Manmoracha | Lata Mangeshkar | C Major | 3 | 8B | 82 BPM | ||
| Pori Tujhe Nadan | Prashant Nakti, Sonali Sonawane | F Major | 9 | 7B | 89 BPM | ||
| Swapneehee Navhate Disale | Hrishikesh Ranade, Priyanka Barve | C Major | 4 | 8B | 151 BPM | ||
| Galavar Khali | Swapnil Bandodkar | G Major | 8 | 9B | 172 BPM | ||
| Ruperi Valut | Abhijeet Sawant, Vijay Bhate, Vishwaja Jadhav, Shantaram Nandgaonkar, Anil-Arun | F Major | 6 | 7B | 95 BPM | ||
| Bhannat Porgi | Kunal Ganjawala, Sonali Sonawane, Kunal-Karan | B Major | 9 | 1B | 78 BPM | ||
| Tu Astis Tar | Sanjeev Abhyankar | B♭ Major | 7 | 6B | 108 BPM | ||
| Swami 2 | Brahmaa, Harshavardhan Wavare, Narhar Raherkar, Prashant Gawali | A♭ Major | 6 | 4B | 98 BPM | ||
| Sakhe Ga Sajani | Anurag Godbole, Sanika Shirke | A Major | 5 | 11B | 147 BPM | ||
| Maarva - Male Version | Jasraj Joshi | E Major | 4 | 12B | 72 BPM | ||
| Choru Chorun (Female) | Aarya Ambekar | G Major | 6 | 9B | 88 BPM | ||
| Hi Poli Saajuk | Chinar Mahesh | A♭ Major | 10 | 4B | 87 BPM | ||
| Malyachya Malya Madhi Kon Ga Ubhi | Usha Mangeshkar, Jaywant Kulkarni | F Major | 4 | 7B | 169 BPM | ||
| Man Sudhha Tuza | Ajay Gogavale, Priyanka Barve, Deepika Jog | A♭ Major | 6 | 4B | 88 BPM | ||
| Style Martay | Sanju Rathod, Shubhangii Kedar, G-SPXRK | B♭ Major | 7 | 6B | 188 BPM | ||
| Bawara | Hrishikesh Kamerkar, Avadhoot Gupte, Shilpa Pai, Janavi Prabhu Arora, Rishikesh Kamerkar, Guru Thakur | G Major | 5 | 9B | 120 BPM | ||
| Lay Bhari Diste Por | Harshavardhan Wavare, Sonali Sonawane | B♭ Major | 8 | 6B | 100 BPM | ||
| Swami | Brahmaa, Avadhoot Gandhi | F Major | 6 | 7B | 90 BPM | ||
| Rang Hey Nave Nave | Shashaa Tirupati | C Major | 4 | 8B | 117 BPM | ||
| Tujhi Majhi Jodi Jamlee | Kishore Kumar, Anuradha Paudwal | A♭ Major | 8 | 4B | 103 BPM | ||
| Payee Fufata | Ajay Gogavale | E Major | 8 | 12B | 125 BPM | ||
| Hrudayat Vaje Something | Vidhit Patankar | B Minor | 9 | 10A | 135 BPM |