Antoine Forqueray, Michael Borgstede's ' "Suite No. 4 in G Minor: Le Carillon de Passy" was released on its scheduled release date, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 32 in Forqueray: Works for Harpsichord by Antoine Forqueray, Michael Borgstede. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Suite No. 4 in G Minor: Le Carillon de Passy is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Suite No. 4 in G Minor: Le Carillon de Passy by Antoine Forqueray, Michael Borgstede is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM | ||
| Suite No.1: La Couperin - Arr. Jean-Baptiste-Antoine Forqueray, for solo harpsichord | Antoine Forqueray, Margaret Little, Christophe Gauthier | D♭ Minor | 2 | 12A | 94 BPM | ||
| In Nomine | Thomas Tallis, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 93 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: I. Vivace. Lento | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 3 | 11A | 92 BPM | ||
| Rondeau | Antoine Forqueray, Scott Ross | D♭ Minor | 2 | 12A | 104 BPM | ||
| Timon of Athen, Z. 632: Curtain Tune | Henry Purcell, Les Musiciens De Saint-Julien, François Lazarevitch | F♯ Minor | 3 | 11A | 122 BPM | ||
| Branle | Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Mathilde Vialle, Pau Marcos Vicens, Gabriel Rignol, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | ||
| Charpentier: Concert pour 4 parties de violes, H. 545: I. Prélude | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | B Major | 2 | 1B | 171 BPM | ||
| Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
| Les Goûts-réünis - Concert No. 11 in C minor: 4. Courante I | François Couperin, Les Talens Lyriques, Christophe Rousset | G Major | 2 | 9B | 61 BPM | ||
| Courante "La belle homicide" (Arr. for Lute by Charles Mouton) | Ennemond Gaultier, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| La Vénitienne | Antoine Forqueray, Gabriel Rignol | F♯ Major | 0 | 2B | 102 BPM | ||
| Pieces de viole, Suite No. 2 in G Major: V. Chaconne, La Buisson | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Chacony in G minor Z 730 | Henry Purcell, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 106 BPM | ||
| Couperin, L: Suite en sol: V. Passacaille ou Chaconne, G. 96 | Louis Couperin, Jean Rondeau | F Minor | 3 | 4A | 87 BPM | ||
| Pièces de viole, Suite No. 4 in G Minor: II. La Clement | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Canzona prima a basso solo, "detta l'altera" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 148 BPM | ||
| Suite No. 3 in D Major: No. 5, La Du Vaucel. Très tendrement | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Mathilde Vialle | F♯ Major | 0 | 2B | 102 BPM | ||
| La Girouette | Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Mathilde Vialle, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | ||
| Israel in Egypt, HWV 54: Symphony | George Frideric Handel, Le Concert Spirituel, Herve Niquet | E♭ Major | 0 | 5B | 84 BPM | ||
| Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson | A♭ Major | 1 | 4B | 67 BPM | ||
| Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | F♯ Major | 1 | 2B | 105 BPM | ||
| Viola da gamba Sonata in G Minor, A2:56a: III. Tempo di minuet | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella, Thomas Boysen | F♯ Minor | 2 | 11A | 150 BPM |