"12 Movements from Romeo and Juliet, Op. 64: II. Dance Of The Knights (Transcription For 2 Pianos By Sergei Babayan)" by Sergei Prokofiev, Martha Argerich, Sergei Babayan had its release date on March 23, 2018. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Prokofiev For Two". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, 12 Movements from Romeo and Juliet, Op. 64: II. Dance Of The Knights (Transcription For 2 Pianos By Sergei Babayan) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 12 Movements from Romeo and Juliet, Op. 64: II. Dance Of The Knights (Transcription For 2 Pianos By Sergei Babayan) by Sergei Prokofiev, Martha Argerich, Sergei Babayan having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai | Felix Mendelssohn, Quatuor Ébène | F Minor | 3 | 4A | 139 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Die Flamme von Paris (Flames of Paris), Act IV: Coda [arr. March] | Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov | C Major | 4 | 8B | 135 BPM | ||
| Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | B♭ Major | 1 | 6B | 109 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Serenade For Strings, Op.11 | Dag Wirén, Johannes Somary, English Chamber Orchestra | G Major | 3 | 9B | 135 BPM | ||
| Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | B♭ Major | 6 | 6B | 124 BPM | ||
| 4th Movement: Allegro Con Fuocho | London Philharmonic Orchestra | E Minor | 1 | 9A | 140 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E Major | 2 | 12B | 161 BPM | ||
| String Quartet No. 2, JW 7/13 "Intimate Letters": II. Adagio | Leoš Janáček, Melos Quartet | D♭ Major | 2 | 3B | 78 BPM | ||
| The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture | Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz | C Minor | 3 | 5A | 117 BPM | ||
| Little Red Riding Hood and the Wolf, Op. 39/6 (Arr. By Dirk Mommertz) | Sergei Rachmaninoff, Fauré Quartett | B Minor | 5 | 10A | 88 BPM | ||
| Messa da Requiem: Dies irae - Tuba mirum | London Philharmonic Orchestra | E♭ Major | 4 | 5B | 88 BPM | ||
| Violin Concerto No. 3: III. Vivo | Grażyna Bacewicz, Łukasz Borowicz, Joanna Kurkowicz, Polish Radio Symphony Orchestra, Krakow | D Major | 2 | 10B | 121 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
| Raymonda, Act III: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 1 | 7A | 103 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
| Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
| Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
| Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): VI. Les toréadors | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 5 | 11B | 99 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 100 BPM |