"String Quartet No. 2, JW 7/13 "Intimate Letters": II. Adagio" by Leoš Janáček, Melos Quartet had its release date on 1992. This song is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The track order of this song in Leoš Janáček, Melos Quartet's "Janáček: String Quartets Nos. 1 "Kreutzer Sonata" & 2 "Intimate Letters"" album is number 6 out of 8. On top of that, France appears to be the country where this track was created. String Quartet No. 2, JW 7/13 "Intimate Letters": II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 2, JW 7/13 "Intimate Letters": II. Adagio by Leoš Janáček, Melos Quartet to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| String Quartet No. 6 in D Major, D. 74: I. Allegro ma non troppo | Franz Schubert, Melos Quartet | D Minor | 1 | 7A | 137 BPM | ||
| Polish Requiem: Agnus Dei (Arr. For 8 cellos) | Krzysztof Penderecki, Jan Kalinowski, Beata Urbanek-Kalinowska, Anna Armatys-Borrelli, Karolina Jaroszewska, Marcin Mączyński, Franciszek Pall, Michał Dąbek, Marta Nagawiecka | D♭ Major | 0 | 3B | 93 BPM | ||
| Buffalo Jump | David le Page, Orchestra of the Swan, Philip Sheppard | D Minor | 4 | 7A | 166 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
| Romanian Folk Dances, Sz.56: III. Andante | Béla Bartók, Kurt Nikkanen, Rohan De Silva | D Minor | 0 | 7A | 75 BPM | ||
| Viola Sonata: I. Impetuoso | Rebecca Clarke, Philip Dukes, Sophia Rahman | F Major | 1 | 7B | 85 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
| Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
| Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, London Symphony Orchestra, Sir Charles Mackerras | A Minor | 0 | 8A | 113 BPM | ||
| Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa | B♭ Major | 1 | 6B | 97 BPM | ||
| Elegy for Solo Viola | Igor Stravinsky, Tatjana Masurenko | C Minor | 0 | 5A | 82 BPM | ||
| The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Danse macabre, Op. 40 (Arr. F. Liszt, V. Horowitz and y. Sudbin for piano) | Camille Saint-Saëns, Yevgeny Sudbin | E♭ Major | 2 | 5B | 90 BPM | ||
| Act I - Dance Of The Soviet Sailors: Apple | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Minor | 3 | 7A | 79 BPM | ||
| Janáček: Piano Sonata "1. X. 1905, From the Street": II. Death | Leoš Janáček, Mikhail Rudy | F Major | 2 | 7B | 80 BPM | ||
| Golden Ratio | Jessica Curry | D Minor | 1 | 7A | 137 BPM | ||
| Pictures at an Exhibition: IX. The Hut of Baba Yaga | Modest Mussorgsky, Gewandhausorchester, Igor Markevitch | D Minor | 2 | 7A | 78 BPM | ||
| String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
| Belshazzar's Feast, JS 48: Prelude. Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | G Major | 2 | 9B | 98 BPM | ||
| Janáček: On an Overgrown Path, Book I: No. 1, Our Evenings | Leoš Janáček, Leif Ove Andsnes | B♭ Minor | 0 | 3A | 73 BPM |