"One Hundred Births" by Joseph Alexander, The Primary Orchestra had its release date on March 1, 2017. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. One Hundred Births's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 9 in Cinematic Piano & Orchestra by Joseph Alexander. Based on our statistics, One Hundred Births's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of One Hundred Births by Joseph Alexander, The Primary Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The First Hearing | Blair Mowat | D♭ Major | 3 | 3B | 86 BPM | ||
| Certera Despedida | Luis Ivars | D Major | 2 | 10B | 77 BPM | ||
| Tape Echo | Nathalie Lambert | D Minor | 3 | 7A | 138 BPM | ||
| The Restless | Joseph Alexander | F♯ Minor | 3 | 11A | 84 BPM | ||
| Lotes De Batalla | Hasta El Final | C Major | 1 | 8B | 100 BPM | ||
| Finding The Bodies | Luke Richards | D Minor | 1 | 7A | 68 BPM | ||
| Aleomera | Jo Blankenburg | F Minor | 1 | 4A | 171 BPM | ||
| Impossible Truths | Ceiri Glyn Torjussen | G Minor | 3 | 6A | 96 BPM | ||
| Forever Lost (Orchestral Only Mix) | Tom Player | F♯ Minor | 3 | 11A | 82 BPM | ||
| Following Patience | Hannes De Maeyer, Ruben de Gheselle | F♯ Major | 1 | 2B | 113 BPM | ||
| Qui tacet,consentire videtur | Corpus Dominix | C Minor | 1 | 5A | 100 BPM | ||
| Warring States: Saigagake | Akihiro Manabe | F Minor | 1 | 4A | 171 BPM | ||
| Zılgıt | Doğan Saldanlı | C Major | 3 | 8B | 110 BPM | ||
| Cafe Brown | Renat Mentanus, Renatus | D♭ Major | 2 | 3B | 130 BPM | ||
| Ellie: Prelude | Torin Borrowdale | G Major | 8 | 9B | 110 BPM | ||
| Pictures from the Past | Aleksey Chistilin | A♭ Major | 0 | 4B | 65 BPM | ||
| Bakumatsu II | Akihiro Manabe | F Minor | 1 | 4A | 171 BPM | ||
| Memories of Zoe | Steffen Thum | A Minor | 1 | 8A | 134 BPM | ||
| Prosperidad | Vino Veritas | C Major | 3 | 8B | 143 BPM | ||
| Glass Feedback | Johan Svensson | D Major | 3 | 10B | 133 BPM | ||
| I Am Todd Hewitt | Marco Beltrami, Brandon Roberts | G Minor | 4 | 6A | 200 BPM | ||
| The Big Picture | Ahmet Kenan Bilgiç, Turgut Mavuk | C Minor | 3 | 5A | 170 BPM | ||
| She’s Alive | Natalie Holt | C Major | 1 | 8B | 138 BPM | ||
| Simbolismos | Vino Veritas | C Major | 5 | 8B | 100 BPM | ||
| Disclosure in Reach | Blair Mowat | C Major | 1 | 8B | 66 BPM |