"Elden Beast: Cleric Beast (From "Bloodborne") [Remix]" by Alex Roe had its release date on November 30, 2021. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Elden Beast: Cleric Beast (From "Bloodborne") [Remix] and no other songs are present in the album, we classify this track as a single. In terms of popularity, Elden Beast: Cleric Beast (From "Bloodborne") [Remix] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elden Beast: Cleric Beast (From "Bloodborne") [Remix] by Alex Roe is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Draconia | Kings & Creatures, Lawke | G Major | 8 | 9B | 78 BPM | ||
| Bloodletting of the Crimson Court | Stuart Chatwood | D Major | 8 | 10B | 140 BPM | ||
| Hunter Hunted | David Chappell | A Minor | 7 | 8A | 145 BPM | ||
| Bloody Tears - Epic Version (from "Castlevania") | Samuel Kim | E♭ Minor | 8 | 2A | 127 BPM | ||
| Battle 3-4 Medley | Daniel Licht | B♭ Minor | 5 | 3A | 95 BPM | ||
| The Others | Kings & Creatures, Kas-Tro, Brandon Lau | D Major | 5 | 10B | 83 BPM | ||
| Wake The Fuck Up, Samurai | Brian Delgado, Epic Music World | D♭ Minor | 6 | 12A | 129 BPM | ||
| He Who Devoured The Dark | Solas Composer | D Minor | 4 | 7A | 100 BPM | ||
| Infernal War Machines | Travis Savoie | F Minor | 4 | 4A | 180 BPM | ||
| Town in Chaos | Stuart Chatwood | A Major | 10 | 11B | 144 BPM | ||
| Triage At Dawn | Ursine Vulpine | E Minor | 3 | 9A | 124 BPM | ||
| Frenzied Mad with a Throne Built on a Cadaver of Lies | Maxi Göthling | D♭ Major | 4 | 3B | 93 BPM | ||
| Knights of Cinder | Alex Roe | F♯ Major | 7 | 2B | 150 BPM | ||
| Oath to Order | Theophany | D♭ Major | 5 | 3B | 156 BPM | ||
| Royal Lineage: Loss | CODE VEIN サウンドチーム, Bandai Namco Game Music | A♭ Minor | 5 | 1A | 120 BPM | ||
| Royal Lineage | CODE VEIN サウンドチーム, Bandai Namco Game Music | A♭ Minor | 5 | 1A | 120 BPM | ||
| Satan's Arrival | Revolt Production Music | A♭ Major | 7 | 4B | 120 BPM | ||
| Surrogate Vulture | Alex Roe | F♯ Major | 6 | 2B | 84 BPM | ||
| Takedown | Tom Player | A♭ Major | 4 | 4B | 145 BPM | ||
| Stormblessed | Richard Tsutomu Williams, The Black Piper | D Minor | 5 | 7A | 126 BPM | ||
| Kings (Live Orchestra) [From "Project Wingman"] | Jose Pavli | E Minor | 6 | 9A | 130 BPM | ||
| The Unbroken Promise | Knut Avenstroup Haugen, The Budapest Scoring Orchestra and Choir, Eurielle | A Minor | 5 | 8A | 107 BPM | ||
| The Inevitable | Piotr Musiał | F Minor | 5 | 4A | 96 BPM | ||
| A Clash of Fang and Flame | Brad Derrick | F Major | 6 | 7B | 112 BPM | ||
| The Cinder King | Critical Role, Omar Fadel | A♭ Major | 3 | 4B | 81 BPM |