Ravindra Sathe's 'Buddham Namami Dhammam Namami' had a release date set for January 1, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 5 in Buddh Vandana by Ravindra Sathe, Neha Rajpal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Buddham Namami Dhammam Namami is currently unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Buddham Namami Dhammam Namami by Ravindra Sathe is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gan Gan Ganaat Bote - Mantra | Ravindra Sathe | A♭ Minor | 6 | 1A | 109 BPM | ||
| Shankar Choura Re | Shahnaaz Akhtar | E♭ Minor | 7 | 2A | 116 BPM | ||
| AVADH ME ANAND BHAYO.. | Morari Bapu | A♭ Major | 6 | 4B | 138 BPM | ||
| Chum Chum Chananana | Shahnaaz Akhtar | B♭ Minor | 7 | 3A | 119 BPM | ||
| He Ishwara Sarvana | Devaki Pandit | D Major | 5 | 10B | 120 BPM | ||
| Choto Choto So Kishan Kanhaiya | Krupa Thakor | D♭ Major | 8 | 3B | 105 BPM | ||
| Pasaydaan | Ravindra Sathe | E♭ Major | 2 | 5B | 80 BPM | ||
| Swami Samarth Swami Samarth | Mahendra Warekar, Ravindra Sathe | G Major | 5 | 9B | 80 BPM | ||
| Sukhkarta Dukhharta, Ghalin Lotangan | Vishal-Shekhar | D♭ Minor | 7 | 12A | 96 BPM | ||
| Sri Damodarashtakam | ISKCON Bangalore | F♯ Minor | 5 | 11A | 128 BPM | ||
| KEVDESHWAR MAHAKAAL AARTI | Aadarsh Buddy | B♭ Major | 5 | 6B | 153 BPM | ||
| Majhi Pandharichi Maay (Female Version) | Mrudula Kulkarni | C Major | 1 | 8B | 108 BPM | ||
| Adya Stotram | Debasish Chakraborty | F♯ Major | 6 | 2B | 88 BPM | ||
| Ramdoot Baldham Ki Pawanputra Birvaan Ki | Babla Mehta | F Major | 6 | 7B | 90 BPM | ||
| Shree Ram Chandra Kripalu Bhajman | Maanya Arora | D♭ Major | 2 | 3B | 170 BPM | ||
| Naam Hai Tera Taranhara | Upasana Mehta | A Minor | 6 | 8A | 170 BPM | ||
| Aali Aali Samarthachi Feri | Mahendra Warekar, Ravindra Sathe | F♯ Minor | 8 | 11A | 170 BPM | ||
| Tim Tim Timbali | Ravindra Sathe | C Major | 9 | 8B | 82 BPM | ||
| Jivan Anjali Thajo Maru | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | D♭ Major | 4 | 3B | 179 BPM | ||
| Ganesha Pancharatnam | Minakshi Majumdar | D♭ Major | 6 | 3B | 156 BPM | ||
| Durga Stotram | Srijan Chaterjee | F Minor | 7 | 4A | 160 BPM | ||
| Takdir Mujhe Le Chal Mahakal Ki Basti Mein | Shahnaaz Akhtar | C Major | 8 | 8B | 120 BPM | ||
| Achyutashtakam | Susmirata Dawalkar | B♭ Major | 1 | 6B | 130 BPM | ||
| 108 Names of Lord Shiva | Sunil Dhyani | F Minor | 4 | 4A | 132 BPM | ||
| Arey Dwarpalo | Manoj Mishra | A Major | 7 | 11B | 146 BPM |