Brian Greene's 'How in the Hell' had a release date set for October 23, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in How in the Hell and no other songs are present in the album, we classify this track as a single. Based on our statistics, How in the Hell's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of How in the Hell by Brian Greene to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let at Work / What Am I Waiting For? | Brent Carver, Carolee Carmello, Christy Carlson Romano | F Minor | 2 | 4A | 86 BPM | ||
| I Am Called Haiti | Brian Greene | B Major | 2 | 1B | 133 BPM | ||
| Wild About You | Summer Strallen | D♭ Major | 4 | 3B | 80 BPM | ||
| I Could've Gone to Nashville | Nunsense 30th Anniversary Cast | A♭ Minor | 1 | 1A | 135 BPM | ||
| Farewell Letter | Original Broadway Cast Of 'Passion' | D♭ Minor | 2 | 12A | 89 BPM | ||
| Latins Know How | Ricardo Afonso | D Major | 4 | 10B | 68 BPM | ||
| A Bushel and a Peck | Brian Greene, Kim Criswell | A Major | 5 | 11B | 128 BPM | ||
| Deep Waters | Chapel Music Fellowship, Jeremiah Carlson, Brian Greene, Rachel Paul | E♭ Major | 6 | 5B | 150 BPM | ||
| The Love of My Life | Stephanie J. Block | C Major | 4 | 8B | 137 BPM | ||
| 35. Sighing softly to the river | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | F Major | 1 | 7B | 85 BPM | ||
| 9. Comes a train of little ladies | Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 2 | 9B | 163 BPM | ||
| Dames | Lee Roy Reams, 42nd Street Ensemble | B♭ Major | 3 | 6B | 177 BPM | ||
| Amayzing Horton | Kelly Felthous | C Major | 4 | 8B | 103 BPM | ||
| The Other Side of the Tracks (Reprise) | Virginia Martin | G Major | 3 | 9B | 79 BPM | ||
| Brigadoon / Vendors' Calls / Down On MacConnachy Square (from "Brigadoon") | The Original Broadway Cast Of Brigadoon | A♭ Major | 3 | 4B | 146 BPM | ||
| Porter: Seven Lively Arts: "Drink" | Cole Porter, Thomas Hampson, Ambrosian Chorus, London Symphony Orchestra, John McGlinn | C Major | 4 | 8B | 142 BPM | ||
| Street Scene: What Good Would the Moon Be? | Kurt Weill, Anne Jeffreys, Maurice Abravanel | D♭ Major | 2 | 3B | 54 BPM | ||
| On a Stormy Night | Lawrence Clayton | C Minor | 1 | 5A | 82 BPM | ||
| Trial by Jury: Oh, Gentlemen, Listen I Pray | Gilbert & Sullivan Society of Houston | G Major | 2 | 9B | 132 BPM | ||
| One Track Mind | Jack Noseworthy, Sweet Smell of Success Ensemble | E Major | 5 | 12B | 131 BPM | ||
| Sweet Charity: Too Many Tomorrows | Cy Coleman, James Luisi, Fred Werner, Sweet Charity Original Broadway Cast | B♭ Major | 2 | 6B | 91 BPM | ||
| My Fair Lady: I'm an Ordinary Man | Frederick Loewe, Rex Harrison, Franz Allers, Cyril Ornadel | B♭ Major | 4 | 6B | 106 BPM | ||
| Curtain Call | Brian Greene | D♭ Major | 3 | 3B | 111 BPM | ||
| Here Comes The Morning | Iain Glen, Matt Rawle | F♯ Major | 2 | 2B | 62 BPM | ||
| My Mother's Weddin' Day | Stephanie J. Block, 'Brigadoon' 2017 New York City Center Ensemble | C Major | 5 | 8B | 118 BPM |