Mary Martin, Jule Styne, Louis Adrian, Mark "Moose" Charlap, Winter Garden Theatre Orchestra's 'Never Never Land' had a release date set for January 26, 1954. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Singing From Never Never Land". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Never Never Land is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Never Never Land by Mary Martin, Jule Styne, Louis Adrian, Mark "Moose" Charlap, Winter Garden Theatre Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tomorrow (White House Version) | Aileen Quinn, Albert Finney, Lois DeBanzie, Edward Herrmann | D♭ Major | 1 | 3B | 78 BPM | ||
| I'm In Love With A Wonderful Guy | Nellie Forbush, The Ken Darby Singers | C Major | 3 | 8B | 95 BPM | ||
| Kiss Me, Kate | Broadway Cast Recording | D♭ Major | 2 | 3B | 82 BPM | ||
| Anything Goes (From GAP 'Anything Goes'1962) | Eileen Rodgers | D Major | 4 | 10B | 173 BPM | ||
| Hallelujah, Baby!: The Slice | Jule Styne, Robert Hooks, Leslie Uggams, Clifford Allen, Garrett Morris, Ken Scott, Alan Weeks, Buster Davis | F♯ Major | 4 | 2B | 143 BPM | ||
| This Nearly Was Mine | Emile De Becque | C Major | 3 | 8B | 138 BPM | ||
| Climb Ev'ry Mountain | Patti Cohenour | C Major | 2 | 8B | 73 BPM | ||
| Captain Hook's Waltz | Mary Martin, Cyril Ritchard, Jule Styne, Louis Adrian, Winter Garden Theatre Orchestra | D Major | 4 | 10B | 173 BPM | ||
| The World Goes 'Round | Brenda Pressley | B Minor | 1 | 10A | 105 BPM | ||
| Maria | Mark Hellinger Theatre Orchestra, Frederick Dvonch, Mark Hellinger Theatre Cast Ensemble, Mary Martin, Elizabeth Howell, Patricia Neway, Muriel O'Malley, Karen Shepard | C Major | 2 | 8B | 118 BPM | ||
| Feminity - From Summer Magic, 1963 | Hayley Mills, Deborah Walley, Wendy Turner | E♭ Major | 2 | 5B | 113 BPM | ||
| Ah, Paris! / Broadway Baby | Fifi D'Orsay, Ethel Shutta, Original Broadway Cast | G Major | 1 | 9B | 122 BPM | ||
| Not Since Nineveh | Henry Calvin, Joan Diener, Kismet Ensemble | D Major | 4 | 10B | 104 BPM | ||
| Prologue | Mary Martin, Jule Styne, Kurt Weill, Louis Adrian, Mark "Moose" Charlap, Winter Garden Theatre Orchestra | D Major | 4 | 10B | 173 BPM | ||
| Waitin' For The Light To Shine - 1985 Original Broadway Cast | Roger Miller, Daniel Jenkins | E Major | 1 | 12B | 119 BPM | ||
| We're in the Money | Karen Prunczik, Wanda Richert, Ginny King, Jeri Kansas, Lee Roy Reams, 42nd Street Ensemble, John Lesko | C Major | 4 | 8B | 104 BPM | ||
| When Federic Was a Little Lad | The Pirates Of Penzance | F Minor | 3 | 4A | 110 BPM | ||
| Put on a Happy Face | Dick Van Dyke, Janet Leigh | A Major | 4 | 11B | 88 BPM | ||
| It Might As Well Be Spring | Andrea McArdle, Rodgers & Hammerstein | E♭ Major | 1 | 5B | 130 BPM | ||
| The Best of Times | Jerry Herman, Douglas Hodge, Christine Andreas | A Minor | 2 | 8A | 76 BPM | ||
| The Music and the Mirror | Marvin Hamlisch, Donna McKechnie, Don Pippin | A Major | 6 | 11B | 80 BPM | ||
| 1776: Momma Look Sharp | Sherman Edwards, Scott Jarvis, William Duell, B.J. Slater, Peter Howard | A♭ Major | 0 | 4B | 74 BPM | ||
| Kids (from "Bye Bye Birdie") | Dick Van Dyke, Bryan Russell, Paul Lynde, Maureen Stapleton | C Major | 4 | 8B | 112 BPM | ||
| I'll Never Say No | Harve Presnell | A♭ Major | 2 | 4B | 174 BPM | ||
| Everything's Coming Up Roses | Jule Styne, Angela Lansbury, Richard Leonard | A Major | 3 | 11B | 128 BPM |