- BPM
- 169
- Key
- B♭ Major
- Camelot
- 6B
5 Humoresques, Op. 20: No. 1, Allegretto grazioso by Max Reger, Marc-André Hamelin Song Details
Max Reger, Marc-André Hamelin's '5 Humoresques, Op. 20: No. 1, Allegretto grazioso' had a release date set for January 1, 1999. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. The popularity of 5 Humoresques, Op. 20: No. 1, Allegretto grazioso is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With 5 Humoresques, Op. 20: No. 1, Allegretto grazioso by Max Reger, Marc-André Hamelin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -21.701 dB
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 19%
- Instrumentalness
- 86%
- Liveness
- 10%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 39%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 52 Chorale Preludes, Op. 67: No. 44, Was Gott tut, das ist wohlgetan | Max Reger, Martin Welzel | D♭ Major | 0 | 3B | 71 BPM | |
 | Nocturne, Op. 9,2 | Frédéric Chopin, Joanna Madroszkiewicz, Paul Gulda | E♭ Major | 0 | 5B | 115 BPM | |
 | Piano Concerto in F-Sharp Minor, Op. 20: IIe. Var. 4. Allegretto – Tempo I. Andante | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B Major | 0 | 1B | 138 BPM | |
 | Stücke für Klavier, Op. 118: V. Romanze in F Major (Andante) | Johannes Brahms, David Theodor Schmidt | B♭ Minor | 0 | 3A | 67 BPM | |
 | 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | |
 | Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Sir Roger Norrington, London Classical Players | C Minor | 0 | 5A | 142 BPM | |
 | Piano Concerto in A Minor, Op. 7: I. Allegro maestoso – | Clara Schumann, Tasmanian Symphony Orchestra, Howard Shelley | A♭ Major | 1 | 4B | 134 BPM | |
 | 52 Easy Chorale Preludes, Op. 67: No. 30, O Gott, du frommer Gott | Max Reger, Bernhard Buttmann | D Major | 0 | 10B | 124 BPM | |
 | Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | |
 | Piano Concerto No. 1 in C Minor, Op 33: I. Allegro | Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra | G Major | 2 | 9B | 79 BPM | |
 | Elgar: Dream Children, Op. 43: I. Andante | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 70 BPM | |
 | 12 Pieces, Op. 65: No. 3, Pastorale in A Major | Max Reger, Josef Still | A Major | 0 | 11B | 93 BPM | |
 | 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | |
 | 12 Pieces, Op. 59: No. 9, Benedictus in D-Flat Major | Max Reger, Martin Souter | D♭ Major | 0 | 3B | 71 BPM | |
 | Das Orgel-Büchlein, BV B 27: No. 2, Wachet auf, ruft uns die Stimme (After J. S. Bach's BWV 645) | Ferruccio Busoni, Wolf Harden | G Major | 0 | 9B | 129 BPM | |
 | From the Bohemian Forest, Op. 68: No. 5, Waldesruhe (Version for Cello and Orchestra) | Antonín Dvořák, Raphaël Jouan, Orchestre national de Metz Grand Est, David Reiland | F Major | 1 | 7B | 83 BPM | |
 | Vier ernste Gesänge: O Tod, wie bitter bist du, Op. 121/3 | Johannes Brahms, Max Reger, Igor Levit | E Major | 0 | 12B | 67 BPM | |
 | Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | |
 | 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | |
 | Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | |
 | Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | F Major | 1 | 7B | 83 BPM | |
 | Trio inachevé in F Major | Reynaldo Hahn, Dania Tchalik, Louise Tchalik, Marc Tchalik | F Major | 1 | 7B | 83 BPM | |
 | 6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | D Minor | 2 | 7A | 73 BPM | |
 | Lyric Pieces: Melodie / Melody, Op. 47, 3 | Edvard Grieg, Heidi Kommerell | F Major | 1 | 7B | 83 BPM | |
 | Bagatelles, Op. 47, B. 79: No. 2 in G Major, Tempo di minuetto. Grazioso | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | G Major | 1 | 9B | 101 BPM |
- ISRC
- GBAJY9899617
- Label
- L-M Records/RCA Records