"Francesca da Rimini, Act I: Madonna Francesca! (Live)" by Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Leyla Gencer, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Franco Capuana had its release date on August 1, 2014. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Francesca da Rimini, Act I: Madonna Francesca! (Live)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini (Live) by Riccardo Zandonai, Raimondo Botteghelli, Renato Cioni, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Mario Ferrara, Anna Gasparini, Leyla Gencer, Claudio Giombi, Rosa Laghezza, Silvana Alessio Martinelli, Eno Mucchiutti, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Enzo Viaro, Franco Capuana. The song's track number on the album is #7 out of 31 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Act I: Madonna Francesca! (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act I: Madonna Francesca! (Live) by Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Leyla Gencer, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Franco Capuana has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Act I: Madonna Francesca! (Live) being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Francesca da Rimini: Giulietta, son io! | Riccardo Zandonai, Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede | A Minor | 3 | 8A | 81 BPM | ||
| Tosca, Act I: Ora stammi a sentir | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| I cavalieri di Ekebu: Vi går tillsammans | Lars Cleveman, Malena Karlsson, Riccardo Zandonai, A. Rossato, M. Lindman | A Major | 1 | 11B | 100 BPM | ||
| Rigoletto, Act I: Ah, veglia, o donna, questo fiore | Giuseppe Verdi, Dmitri Hvorostovsky, Nadine Sierra, Eglė Šidlauskaitė, Francesco Demuro, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 1 | 3B | 164 BPM | ||
| La Jolie Fille De Perth - Opéra En 4 Actes. Livret De Vernoy De Saint-Georges Et Adenis D'après Walter Scott. Version Originale Reconstituée Par David Lloyd Jones - Acte II - N°10 - Chanson À Boire : Tout Boit, Amis, Dans Ce Monde (Duc, Cho | Georges Bizet, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | D Minor | 3 | 7A | 62 BPM | ||
| Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Carmen, WD 31: La cloche a sonné | Georges Bizet, Leontyne Price, Monique Linval, Geneviève Macaux, Herbert von Karajan | A Minor | 1 | 8A | 79 BPM | ||
| Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | ||
| La Bohème / Act 3: "Mimì è tanto malata!" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | D♭ Major | 3 | 3B | 76 BPM | ||
| String Quartet in G Major: IV. Allegro | Riccardo Zandonai, Venice String Quartet | G Major | 1 | 9B | 90 BPM | ||
| Cavalleria rusticana: Duet. Ah! lo vedi – Turiddu, ascolta! | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 3 | 4A | 133 BPM | ||
| Tosca, Act I: "Ah, quegli occhi!" - "Qual occhio al mondo" | Giacomo Puccini, Jonas Kaufmann, Sonya Yoncheva, Asher Fisch, Orchestra del Teatro Comunale di Bologna | D♭ Minor | 2 | 12A | 59 BPM | ||
| Cavalleria rusticana: Tu qui, Santuzza? – Fior la giaggolo | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 1 | 3B | 164 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Madama Butterfly, SC 74, Act I: Bimba dagli occhi pieni ci malia | Giacomo Puccini, Miriam Gauci, Yordy Ramiro, Slovak Radio Symphony Orchestra, Ali Rahbari | A Major | 1 | 11B | 84 BPM | ||
| Madama Butterfly, Act III: Non ve l'avevo detto? | Giacomo Puccini, Enrico Caruso, Antonio Scotti | D♭ Major | 1 | 3B | 83 BPM | ||
| Manon Lescaut / Act 1: La tua ventura ci rassicura | Giacomo Puccini, Ramón Vargas, Giuseppe Taddei, Dwayne Croft, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | G Minor | 2 | 6A | 126 BPM | ||
| Francesca da Rimini, Op. 4, Act II: Paolo! | Riccardo Zandonai, Martin Mühle, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Minor | 2 | 7A | 88 BPM | ||
| Francesca da Rimini, Op. 4, Act IV: Perdonami, perdonami! | Riccardo Zandonai, Christina Vasileva, Martin Mühle, Philharmonisches Orchester Freiburg, Fabrice Bollon | A Major | 2 | 11B | 94 BPM | ||
| Soy Dalí Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | B♭ Major | 1 | 6B | 112 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | A Major | 1 | 11B | 61 BPM | ||
| Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: E se il fratello vede che taluno tocca la donna del fratello (Malatestino, Gianciotto) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Kenneth Riegel, Philippe Roillon | E♭ Major | 3 | 5B | 111 BPM | ||
| Francesca da Rimini, Op. 4, Act II: Viva Messer Giovanni Malatesta! | Riccardo Zandonai, Martin Mühle, Juan Orozco, Freiburger Kammerchor, Vokalensemble der Hochschule für Musik Freiburg, Extrachor des Theater Freiburg, Opernchor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 132 BPM |