On March 21, 2025, the song "Snow White: XII. Poisoned Apple" was released by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alexander Litvinovsky, Nikolay Donskoy, Pavel Lyubomudrov, Metamorphose String Orchestra's "Litvinovsky: Snow White (Suite for String Orchestra and Flute)" album is number 12 out of 19. On top of that, Italy appears to be the country where this track was created. Snow White: XII. Poisoned Apple is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Snow White: XII. Poisoned Apple by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Strings in G Minor, RV 156: III. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
| Pelléas et Mélisande: II. Des pas dans le château | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 1 | 6B | 87 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| Echoes | Luke Faulkner, Emma Arizza, Martha Mitu, Caleb Sibley, Tom Huet | A♭ Major | 1 | 4B | 66 BPM | ||
| 16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM | ||
| Bassoon Concerto in E minor, RV 484: 1. Allegro poco | Antonio Vivaldi, Klaus Thunemann, I Musici | C Major | 2 | 8B | 87 BPM | ||
| 7 | Peter Cavallo | G Minor | 2 | 6A | 146 BPM | ||
| Le grand cahier: VII. Les pommes de grand-mère | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 1 | 9A | 125 BPM | ||
| Pelléas et Mélisande: I. Ils étaient comme des enfants | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | D Major | 2 | 10B | 172 BPM | ||
| Pinocchio: XIV. Verso le terre lontane del Nuovo Mondo | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova | A Minor | 2 | 8A | 158 BPM | ||
| Thaïs, Act II: Méditation | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 172 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Pinocchio: I. Omino di legno | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova | D Minor | 2 | 7A | 85 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
| Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
| Butterfly Lovers Violin Concerto: II. Allegro | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez | A Major | 2 | 11B | 148 BPM | ||
| St. Matthew Passion, BWV 244: Erbarme dich (Arr. Parkin for Violin, Cello and Chamber Ensemble) | Johann Sebastian Bach, Christian Li, David Berlin, Melbourne Symphony Orchestra | B Minor | 1 | 10A | 102 BPM | ||
| Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| 3 Concert Études, S. 144: No. 3 in D-Flat Major, "un sospiro" | Franz Liszt, William Wolfram | D♭ Major | 2 | 3B | 65 BPM | ||
| Cello Unlimited | Kian Soltani | C Minor | 3 | 5A | 90 BPM | ||
| The Carnival of the Animals: XIII, The Swan | Camille Saint-Saëns, Sarah Joy, Kathy Hohstadt | G Major | 1 | 9B | 126 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| Passacaglia for Violin and Viola | Johan Halvorsen, Davide Alogna, José Adolfo Alejo | G Minor | 1 | 6A | 176 BPM |