On June 16, 2025, the song "Holi Khel Rahe Nand Lal" was released by Prakash Rutha. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Prakash Rutha's "Holi Khel Rahe Nandlal" album is number 4 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Holi Khel Rahe Nand Lal is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Holi Khel Rahe Nand Lal by Prakash Rutha to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sun Mere Bhartar | Hariram Gujjar | B Minor | 9 | 10A | 152 BPM | ||
| Holi Khelunga Radha Tere | Prakash Rutha | G Minor | 8 | 6A | 101 BPM | ||
| Dhora Wali Dharti Kali Nagan | Sitaram Panchariya | E Major | 8 | 12B | 88 BPM | ||
| Hariyalo Banno Ghume | Kheta Khan | E Minor | 9 | 9A | 104 BPM | ||
| Is Bare Me Lachar Hui | Mainpal Baseda, Satpal Dosa | G Minor | 10 | 6A | 125 BPM | ||
| Gaji Silak Ki Saree Layde | Brijesh Shastri | D♭ Major | 6 | 3B | 97 BPM | ||
| Raja Banwa Dalo Baal Aise Me Lag Raho Bekar | JaiSingh Raja, Rani Kushwaha | F♯ Major | 8 | 2B | 151 BPM | ||
| Ano Jesane Ri Dham | Prakash Mali | F♯ Major | 9 | 2B | 172 BPM | ||
| Lehari Anahad | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Arani Lokgeet | Kheta Khan | F♯ Major | 8 | 2B | 110 BPM | ||
| Aakhri Do Bol Gori | Koshinder Khadana | F Minor | 7 | 4A | 146 BPM | ||
| Kue Pe Lugaiya Dhore | Tarun Baliyan | E♭ Major | 9 | 5B | 139 BPM | ||
| Banno Mharo Char Bhuja Ro Nath | Sukhdev Bharti | A♭ Major | 8 | 4B | 122 BPM | ||
| Shree Krishna Radhe Shyam | Prakash Rutha | A♭ Major | 5 | 4B | 139 BPM | ||
| Manne Ho Gaya Tere Se Pyar | Tarun Baliyan | G Major | 9 | 9B | 80 BPM | ||
| Naari Ki Preet Buri | Surjan chaitanya | D♭ Major | 9 | 3B | 81 BPM | ||
| Nirgun bhajan suresh awasthi 1to07 - hindi | Suresh CHANDRA | F♯ Major | 7 | 2B | 150 BPM | ||
| Khimaj Mata | Shyam Paliwal | A Major | 7 | 11B | 91 BPM | ||
| Bai Nanand Ra Veer | Shyam Paliwal | C Major | 8 | 8B | 85 BPM | ||
| Ek Kheli Lagayi Par Part 1 | Swami Aadhar Chaitanya | A♭ Major | 5 | 4B | 159 BPM | ||
| Thari Ghani Karu Manvar | Rajkumar Swami | D Major | 6 | 10B | 178 BPM | ||
| Aaja Shyam Tu | Halke Ram Kushwah | A♭ Major | 9 | 4B | 142 BPM | ||
| Ek Bar Jo Raghuvar Ki Najaro Ka Ishara Ho Jaye | Pawan Tiwari | C Minor | 9 | 5A | 112 BPM | ||
| Tori Bhagiya Jave | Halke Ram Kushwah, Jyoti Kushvah | A♭ Major | 9 | 4B | 116 BPM | ||
| Tuto Thahdiyo Khula Fagan | Champe Khan | E♭ Major | 8 | 5B | 78 BPM |