"Aboard the Ketch" by Jon Everist had its release date on August 28, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 51 in Destiny: Rising (Global Launch Original Soundtrack) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Taiwan. In terms of popularity, Aboard the Ketch is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Aboard the Ketch by Jon Everist is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vaygr Battle Theme | Paul Ruskay | D Major | 5 | 10B | 100 BPM | ||
| An Ancient Call | Olivier Deriviere | D♭ Major | 3 | 3B | 166 BPM | ||
| Expedition to Dorado | Antonio Gradanti, Interleave | G Minor | 2 | 6A | 121 BPM | ||
| Love Talk | Jose Carlos, Jose | D♭ Major | 2 | 3B | 105 BPM | ||
| A Lesson in Vengeance | Experia | D♭ Minor | 3 | 12A | 166 BPM | ||
| Hour of the Wolf | Maxime Hervé | A♭ Major | 4 | 4B | 80 BPM | ||
| Lost | Chris D'Ambrosio | C Major | 2 | 8B | 45 BPM | ||
| The Great Betrayal | Jon Everist, Paradox Interactive | F Major | 1 | 7B | 148 BPM | ||
| Divide Main Theme | Chris Tilton | F Minor | 4 | 4A | 165 BPM | ||
| The Friends We Left Behind | David Reichelt | C Minor | 2 | 5A | 106 BPM | ||
| That's a Big 'Mech | Jon Everist, Paradox Interactive | A♭ Major | 4 | 4B | 80 BPM | ||
| Death Approaches | Chris D'Ambrosio | D Major | 2 | 10B | 90 BPM | ||
| Leaving It All Behind | Sam Hulick | D Major | 0 | 10B | 80 BPM | ||
| Pece bollente | Non Binary | C Major | 6 | 8B | 110 BPM | ||
| Degna Conclusione | EDO ZENITH | D Major | 3 | 10B | 51 BPM | ||
| 101 Trailer | Sascha Dikiciyan | F Minor | 5 | 4A | 160 BPM | ||
| Doomhammer | Jeff van Dyck | G Major | 8 | 9B | 94 BPM | ||
| Fire | Amaliya Aliyeva, Amy A | D Major | 1 | 10B | 110 BPM | ||
| Omega Suite | Sascha Dikiciyan, Cris Velasco | A♭ Major | 3 | 4B | 120 BPM | ||
| Lake Neverland | Eldar Dadashov, Edmelody | E♭ Minor | 1 | 2A | 64 BPM | ||
| The Colossus | Sam Hulick | F Minor | 4 | 4A | 135 BPM | ||
| Launch of The Kapisi | Paul Ruskay | A Major | 1 | 11B | 106 BPM | ||
| Bile and Venom | Jon Everist, Paradox Interactive | C Minor | 5 | 5A | 143 BPM | ||
| Frameshift & Starports: Anarchic Starport | Erasmus Talbot | C Major | 1 | 8B | 152 BPM | ||
| Amarr Supremacy | Kristian Sønderlund Ross, EVE Online Music | D Major | 1 | 10B | 66 BPM |