Ricky Ian Gordon, Audra McDonald's 'Daybreak in Alabama' had a release date set for September 15, 1998. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Way Back to Paradise by Audra McDonald. The song's track number on the album is #14 out of 14 tracks. Daybreak in Alabama is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Daybreak in Alabama by Ricky Ian Gordon, Audra McDonald has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Daybreak in Alabama being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moonfall (feat. Betsy Wolfe) | The Mystery of Edwin Drood - The 2013 New Broadway Cast | A Minor | 2 | 8A | 97 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 1 | 12A | 138 BPM | ||
| How Happy Is the Little Stone | Jennifer Zetlan, Ricky Ian Gordon | G Major | 2 | 9B | 90 BPM | ||
| Susannah / Act 2: "The trees on the mountain" | Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine | G Minor | 1 | 6A | 169 BPM | ||
| Spanisches Liederspiel, Op. 74: IV. In der Nacht | Robert Schumann, Marlis Petersen, Werner Güra, Anke Vondung, Christoph Berner | D Minor | 1 | 7A | 97 BPM | ||
| Why am I a girl? | Ricky Ian Gordon, Frank Bidart, Nathan Gunn, Jennifer Zetlan, Lidiya Yankovskaya | B♭ Major | 2 | 6B | 165 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: VIIIb-d. Low-born Clods of Brute Earth – Dispossessed, Aside Thrust – The Mind Bold and Independent | Edward Elgar, Karen Cargill, Huddersfield Choral Society, The Orchestra Of Opera North, Martyn Brabbins | D♭ Minor | 1 | 12A | 138 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | D♭ Minor | 1 | 12A | 138 BPM | ||
| 2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
| O del mio dolce ardor - Live | Christoph Willibald Gluck, Angela Gheorghiu | D Major | 1 | 10B | 100 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 1 | 12A | 138 BPM | ||
| Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | D♭ Minor | 1 | 12A | 138 BPM | ||
| Show Boat, Act Two Scene Six: Let's make the new year far from a blue year | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | G Major | 4 | 9B | 132 BPM | ||
| What's The Use Of Wond'rin'? | Jessie Mueller, Renée Fleming | D♭ Major | 1 | 3B | 88 BPM | ||
| Petite messe solennelle: XVIII. Agnus Dei | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, José Maria Lo Monaco, Francesco Corti, Cristiano Gaudio, Deniel Perer | D Major | 1 | 10B | 91 BPM | ||
| Love Can't Happen | Brent Barrett | D♭ Major | 4 | 3B | 80 BPM | ||
| It Wonders Me | Gloria Marlowe, Original Broadway Cast 'Plain And Fancy' | A♭ Major | 4 | 4B | 106 BPM | ||
| She's A Woman | Brent Carver | C Major | 1 | 8B | 81 BPM | ||
| Le nozze di Figaro, K. 492: "Porgi Amor" | Paris Faith Winter, Tammy L. Hall | E♭ Major | 0 | 5B | 139 BPM | ||
| Say not the struggle naught availaeth - Soprano & Piano Version | Hilgrove Kenrick, Jessica Maton | B♭ Minor | 0 | 3A | 108 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 108 BPM | ||
| Pure Imagination | Paris Faith Winter | A♭ Major | 1 | 4B | 115 BPM | ||
| Hébé, Op. 2 No. 6 | Ernest Chausson, Axel Bauni, Stella Doufexis | A Minor | 0 | 8A | 85 BPM | ||
| 12 Songs, Op. 21: 5. Siren | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A♭ Major | 1 | 4B | 94 BPM |