"Prelude a la manière de Carillon" by Adam Falckenhagen, Andrew Maginley had its release date on January 1, 2001. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 13 in Falckenhagen, A.: Lute Sonatas, Op. 1, Nos. 1, 2, 4 and 6 / Prelude A La Maniere De Carillon / Allemande / Maginley, A.: Reverie by Adam Falckenhagen, Andrew Maginley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Prelude a la manière de Carillon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude a la manière de Carillon by Adam Falckenhagen, Andrew Maginley is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
| Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | ||
| Couperin, L: Suite en fa: I. Simphonie par Mr. Couperin (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | A Minor | 2 | 8A | 143 BPM | ||
| Three Feminine Portraits - La Mia Barbara | Hopkinson Smith, John Dowland | D Minor | 1 | 7A | 93 BPM | ||
| Volta | Michelangelo Galilei, Jakob Lindberg | A♭ Major | 0 | 4B | 176 BPM | ||
| Sonate concertate a due e tre voci, Book 1: No. 18, Sonata sopra "La novella" | Giuseppe Scarini, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Chiaccona in partite variate | Alessandro Piccinini, Playfords | D♭ Minor | 0 | 12A | 70 BPM | ||
| Violin Sonata in B-flat Major, Op. 5 No. 2: I. Grave | Arcangelo Corelli, Enrico Onofri | A♭ Major | 0 | 4B | 32 BPM | ||
| Suite in E minor: VII. La Montsermeil - Rondeau | Robert de Visée, Yasunori Imamura | D Minor | 1 | 7A | 49 BPM | ||
| Bransle de Poictou | Pierre Attaingnant, Hopkinson Smith | E Major | 1 | 12B | 136 BPM | ||
| L'Orfeo, SV 318, Act I: Rosa del Ciel (Arr. Josep Maria Martí Duran) | Claudio Monteverdi, Josep Maria Martí Duran | C Major | 3 | 8B | 124 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Canzona seconda a 2 canto e basso | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 144 BPM | ||
| Soneto I | Enríquez de Valderrábano, Shirley Rumsey | F Major | 0 | 7B | 139 BPM | ||
| The Flat Pavan | John Johnson, Ronn McFarlane, William Simms | F Major | 2 | 7B | 95 BPM | ||
| Sonates sans basse: Sonata in G Major, TWV 40:101: Soave | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | E♭ Major | 0 | 5B | 129 BPM | ||
| Flute Concerto in D Major, Op. 4, No. 3: II. Allegro | Adam Falckenhagen, Sabine Dreier, Agustín Maruri, Michael Kevin Jones | D Major | 0 | 10B | 84 BPM | ||
| La réthorique des dieux, Suite No. 2 in A Major: IV. La coquette virtuosa | Denis Gaultier, Hopkinson Smith | F♯ Minor | 1 | 11A | 56 BPM | ||
| Semper Dowland semper dolens, P. 9 | John Dowland, Nigel North | D♭ Minor | 1 | 12A | 77 BPM | ||
| Libro de Música de Vihuela de Mano "El Maestro": Pavana No. 1 | Luis de Milán, José Antonio Escobar | B Major | 0 | 1B | 97 BPM | ||
| Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | B♭ Major | 1 | 6B | 141 BPM | ||
| Partita in G Minor: No. 5. Sarabande | Nigel North | F♯ Minor | 1 | 11A | 133 BPM | ||
| Ayres for the Violin: Aria II (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | A♭ Minor | 1 | 1A | 132 BPM | ||
| Suite in A Minor: II. Allemande | Françoise Dufaut, Lutz Kirchhof | A♭ Minor | 1 | 1A | 67 BPM | ||
| Menuet in E | Miko Régis, Adam Falckenhagen | E Minor | 1 | 9A | 61 BPM |