Béla Bartók, Gyorgy Sandor's 'For Children, Sz. 42 (Revised Edition, January 1945): Volume III: 16. Lament. Lento' had a release date set for 1995. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 56 out of 96 in Bartók: For Children & The First Term at the Piano by Béla Bartók, Gyorgy Sandor. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. For Children, Sz. 42 (Revised Edition, January 1945): Volume III: 16. Lament. Lento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of For Children, Sz. 42 (Revised Edition, January 1945): Volume III: 16. Lament. Lento by Béla Bartók, Gyorgy Sandor is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dorfszene (Nr.2 aus "Kaukasische Skizzen") | L. Weninger, Mikhail Ippolitov-Ivanov, Salonorchester Colln | F♯ Minor | 1 | 11A | 77 BPM | ||
| Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo (Arr. for String Quartet by Rafael Rosenfeld) | Antonín Dvořák, Merel Quartet | D♭ Major | 0 | 3B | 79 BPM | ||
| Havanaise, Op. 83: III. Allegro ma non troppo - 2020 Remastered Version | Camille Saint-Saëns, Zino Francescatti, William Smith, Columbia Symphony Orchestra | E♭ Major | 4 | 5B | 113 BPM | ||
| 6 Etudes de concert, Op. 35: II. Automne | Cécile Chaminade, Mark Viner | D♭ Major | 0 | 3B | 79 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | G Major | 0 | 9B | 96 BPM | ||
| Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): V. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | G Minor | 0 | 6A | 91 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| String Quartet No. 14 in D Minor, D. 810 "Der Tod und das Mädchen": IV. Presto – Prestissimo | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
| Piano Sonata No. 1 in F Minor, Op. 6: III. Presto | Julius Asal, Alexander Scriabin | B Minor | 0 | 10A | 69 BPM | ||
| Bartók: Mikrokosmos, Sz. 107, Book II: No. 58, In Oriental Style | Béla Bartók, Dezsö Ranki | N/A | N/A | N/A | 0 BPM | ||
| Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
| Meditation on Laura | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
| Nocturne No. 11, Op. 104 No. 1 | Gabriel Fauré, Louis Lortie | E Minor | 0 | 9A | 62 BPM | ||
| Vaughan Williams: 6 Studies in English Folk-Song: No. 1, Adagio | David Parkhouse, Eileen Croxford | A Minor | 1 | 8A | 92 BPM | ||
| Piano Quintet in C Major, Sz. 23: II. Vivace (Scherzando) | Béla Bartók, Hansjacob Staemmler, Sophia Jaffé, Johanna Staemmler, Liisa Randalu, Peter-Philipp Staemmler | A Major | 1 | 11B | 131 BPM | ||
| Suite en trio, Op. 59: I. Serenade | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | E Minor | 0 | 9A | 89 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Ravel: Miroirs, M. 43: II. Oiseaux tristes | Maurice Ravel, Jaeden Izik-Dzurko | G Minor | 2 | 6A | 72 BPM | ||
| Piano Concerto No. 1, BB 91, Sz. 83: I. Allegro moderato - Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | G Major | 3 | 9B | 124 BPM | ||
| Serenade in C Major, Op. 10: Romanza: Adagio non troppo, quasi andante | Ernst von Dohnányi, Spectrum Concerts Berlin | F Major | 1 | 7B | 64 BPM | ||
| Bassoon Scherzo No 1 F# Minor | Nikolas Eleftheriou | F♯ Minor | 0 | 11A | 125 BPM | ||
| Chant Sans Paroles. Op. 2, No. 3 - Duo-Art 7154 | Pyotr Ilyich Tchaikovsky, Shura Cherkassky, Peter Phillips | F Major | 1 | 7B | 73 BPM | ||
| Variations on a Polish Folk Theme, Op. 10: Var. 8. Marcia funebre | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
| Violin Sonata, FP 119: Allegro con fuoco | Francis Poulenc, Graf Mourja, Alexandre Tharaud | B♭ Minor | 1 | 3A | 124 BPM |