Ermanno Wolf-Ferrari, Iain Sutherland Concert Orchestra, Iain Sutherland's ' "Overture: Susannah's Secret" was released on its scheduled release date, May 27, 2014. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Orient Express - 20 Light Classics". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Based on our statistics, Overture: Susannah's Secret's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Overture: Susannah's Secret by Ermanno Wolf-Ferrari, Iain Sutherland Concert Orchestra, Iain Sutherland having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet in E Minor, Op. 44, No. 2: III. Andante | Felix Mendelssohn, Cecilia String Quartet | B Minor | 0 | 10A | 89 BPM | ||
| Il segreto di Susanna: Via, così non mi lasciate | Ermanno Wolf-Ferrari, Judith Howarth, Ángel Ódena, Oviedo Filarmonía, Friedrich Haider | G Major | 1 | 9B | 87 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Aida / Act 1: Danza sacra del Sacerdotesse - Immenso Fthà - Mortal, diletto ai Numi | Giuseppe Verdi, Plácido Domingo, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E♭ Major | 0 | 5B | 83 BPM | ||
| Macbeth: Overture (Preludio) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 1 | 3B | 81 BPM | ||
| Bartók: 6 Romanian Folk Dances, Sz. 56 (Orch. Székely) | Béla Bartók, Sir Charles Mackerras, Philharmonia Orchestra | C Major | 2 | 8B | 173 BPM | ||
| Grieg: Suite from Peer Gynt No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Minor | 1 | 9A | 114 BPM | ||
| Symphony No. 1, GMW 11: IVc. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| String Quartet in G Minor, Op. 27: IV. Finale. Lento - Presto al saltarello (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | F Major | 0 | 7B | 92 BPM | ||
| Orphée aux enfers - Opéra-féérie en 4 actes. Livret d'Hector Crémieux & Ludovic Halévy - Acte II - N°8 - Entracte et Choeur du Sommeil | Jacques Offenbach, Michel Plasson, Choeur Capitole Toulouse, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 85 BPM | ||
| Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit" | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell | A♭ Major | 1 | 4B | 140 BPM | ||
| Poeme in D-Flat Major, Op. 39a | Zdeněk Fibich, Deutsche Streicherphilharmonie, Wolfgang Hentrich | D Major | 1 | 10B | 89 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
| Symphony in B-Flat Major, Hob. I:102: IV. Finale. Presto | Joseph Haydn, Ádám Fischer, Österreichisch-Ungarische Haydn Philharmonie | C Major | 2 | 8B | 173 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante, Pt. 6 | Wolfgang Amadeus Mozart, Stephen Hough, Bryden Thomson, Hallé | B♭ Minor | 1 | 3A | 99 BPM | ||
| Ein Heldenleben, Op. 40, TrV. 190: Des Helden Friedenswerke | Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck | D Major | 1 | 10B | 56 BPM | ||
| 歌劇「エドガール」: 第3幕への前奏曲 | Giacomo Puccini, Bratislava CSR Symphony Orchestra, Ondrej Lenard | D Major | 2 | 10B | 61 BPM | ||
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| Suite: Graceful Dance | Ernest Tomlinson, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 3 | 10B | 133 BPM | ||
| Norma (1997 Digital Remaster), ACT 2, Scene 1: Introduzione (Orchestra) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | D Minor | 0 | 7A | 95 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| I quatro rusteghi, Atto I, Scena 7: “Caro da Dio!” (Marina, Simone) | Ermanno Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, European Opera Centre, Vasily Petrenko, Daniela Degennaro, Mirko Quarello | C Major | 1 | 8B | 92 BPM |