"The Planets, Op.32: VII. Neptune, the Mystic (arr. by B. Mogensen & R. S. Kjøller)" by Gustav Holst, Mythos, Bjarke Mogensen, Rasmus Schjærff Kjøller had its release date on May 1, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Mythos, Bjarke Mogensen, Rasmus Schjærff Kjøller's "Helios and the Planets" album is number 8 out of 8. On top of that, Denmark appears to be the country where this track was created. The Planets, Op.32: VII. Neptune, the Mystic (arr. by B. Mogensen & R. S. Kjøller) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op.32: VII. Neptune, the Mystic (arr. by B. Mogensen & R. S. Kjøller) by Gustav Holst, Mythos, Bjarke Mogensen, Rasmus Schjærff Kjøller to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: IV. Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Symphony No. 1 in E Minor: IV. Finale | Florence Beatrice Price, Fort Smith Symphony, John Jeter | C Major | 1 | 8B | 76 BPM | ||
| First Choral Symphony, Op. 41, H. 155, III, Scherzo: I. Fancy "Ever let the Fancy roam" (Chorus) | Gustav Holst, Andrew Davis, BBC Symphony Orchestra, BBC Symphony Chorus, Sir Andrew Davis | B Minor | 0 | 10A | 148 BPM | ||
| Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
| Vaughan Williams: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
| Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 106 BPM | ||
| Country Gardens, BFMS 22 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | E♭ Major | 1 | 5B | 174 BPM | ||
| Enigma Variations, Op. 36: Theme. Andante | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
| Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
| Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: IV. Finale (The Dargason) | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | C Major | 2 | 8B | 81 BPM | ||
| Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
| Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D♭ Major | 0 | 3B | 68 BPM | ||
| Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
| Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: II. Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
| The Planets, Op. 32: 7. Neptune, the Mystic | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan, RIAS Kammerchor | A♭ Minor | 0 | 1A | 58 BPM | ||
| Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM |