"What the Blue Is For (feat. Dave Liebman)" by Uli Rennert, Dave Liebman had its release date on January 12, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Timesquare Homepage". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, What the Blue Is For (feat. Dave Liebman)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With What the Blue Is For (feat. Dave Liebman) by Uli Rennert, Dave Liebman having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seventh Composition (feat. Klaus Gesing & Peter Herbert) | Uli Rennert, Klaus Gesing, Peter Herbert | B♭ Major | 0 | 6B | 84 BPM | ||
| Les autres | Charlotte Reinhardt | G Major | 2 | 9B | 64 BPM | ||
| Outside In | Jim Perkins, Joanna Forbes L'Estrange | E Major | 2 | 12B | 174 BPM | ||
| Death | Dimitri Grechi Espinoza | D Minor | 2 | 7A | 171 BPM | ||
| Footsteps in Blue | Moonlight Slim | F♯ Major | 0 | 2B | 70 BPM | ||
| the rise and fall of pipokuhn | Joe Sanders | F♯ Major | 1 | 2B | 90 BPM | ||
| Permafrost | Daniel Herskedal | F Major | 1 | 7B | 58 BPM | ||
| Seven Superfluous Serenades: 3. Soft - Strong - Substance (feat. Peter Kunsek, Peter Herbert & Linus Ensemble) | Uli Rennert, Linus Ensemble, Peter Herbert, Peter Kunsek | F Major | 0 | 7B | 140 BPM | ||
| Nach der Nacht | Uli Rennert, Emilia Gladnishka, Réka Nagy, Sophie Rennert | C Major | 2 | 8B | 80 BPM | ||
| No Rules | Astral | B♭ Minor | 4 | 3A | 196 BPM | ||
| Echoes, Episode 4 | Tomasz Trzcinski | F Minor | 1 | 4A | 66 BPM | ||
| Tiapa | Tarkovsky Quartet, François Couturier | F♯ Minor | 0 | 11A | 142 BPM | ||
| Runaway | Deepflow | B♭ Minor | 7 | 3A | 189 BPM | ||
| Pendulum | Björn Meyer | E Minor | 0 | 9A | 82 BPM | ||
| Trails Crossing | Björn Meyer | D Major | 1 | 10B | 130 BPM | ||
| What All This Is | Arve Henriksen, Harmen Fraanje | G Minor | 0 | 6A | 96 BPM | ||
| The Cliff Nest | Daniel Herskedal | B♭ Major | 0 | 6B | 116 BPM | ||
| Tuonela | Arve Henriksen, Robert Jürjendal | G Major | 3 | 9B | 91 BPM | ||
| step but III | R.Kuhn | A Minor | 3 | 8A | 175 BPM | ||
| Siempre Te He Dicho | Brake Vibe | B Minor | 2 | 10A | 96 BPM | ||
| Three Birds - An Evening on Köpenicker Straße version | Belle Chen | E♭ Minor | 1 | 2A | 65 BPM | ||
| Nie mogę się pomylić (feat. Leszek Możdżer) | Daniel Bloom, Leszek Możdżer | C Minor | 1 | 5A | 172 BPM | ||
| Rain (Part I) | Søren Dahl Jeppesen, Óskar Guðjónsson | D Minor | 1 | 7A | 103 BPM | ||
| Refugio en la Lluvia | Dj luis miguel | G Minor | 0 | 6A | 64 BPM | ||
| Varhaisella | Lauri Porra | F♯ Major | 3 | 2B | 108 BPM |