Pierre Rode, Elizabeth Wallfisch's ' "24 Caprices en formes d'etudes: No. 18 in F Minor" was released on its scheduled release date, May 19, 2010. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Rode: 24 Caprices en formes d'etudes". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, 24 Caprices en formes d'etudes: No. 18 in F Minor is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 24 Caprices en formes d'etudes: No. 18 in F Minor by Pierre Rode, Elizabeth Wallfisch having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rhapsody of the North Wind | Yaroslav Medvedev-Taraldset, Davian Monfette | G Minor | 4 | 6A | 94 BPM | ||
| 24 Caprices for Solo Violin, Op. 22: No. 6 in B Minor. Adagio - Moderato | Pierre Rode, Roksana Kwaśnikowska | C Major | 1 | 8B | 123 BPM | ||
| Las 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Strings): No. 3, Primavera Porteño [Spring] | Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero | G Minor | 1 | 6A | 138 BPM | ||
| Paganiniana, Variations for Solo Violin | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
| Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
| String Quartet in G Major, Hob.III:75, Op. 7 No. 1: III. Menuetto. Presto | Joseph Haydn, Tokyo String Quartet | B♭ Minor | 1 | 3A | 101 BPM | ||
| Summer & Storm | LAYERS CLASSIC | G Minor | 5 | 6A | 158 BPM | ||
| Bach, JS: Sonata for Solo Violin No. 1 in G Minor, BWV 1001: II. Fuga | Johann Sebastian Bach, Augustin Hadelich | G Minor | 1 | 6A | 93 BPM | ||
| Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Minor | 2 | 9A | 101 BPM | ||
| Every Violinist's Guide - 18 Traditional Etudes (First Recording): No. 2 Pt. 2 | Pierre Rode, Steven Staryk, Kenneth Gilbert, Adela Kotowska, Eloise Niwa | C Minor | 1 | 5A | 115 BPM | ||
| Five pieces for Two Violins and Piano: III. Elegy- Andantino | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B♭ Minor | 0 | 3A | 103 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 21 in A Major | Niccolò Paganini, Augustin Hadelich | A Major | 1 | 11B | 94 BPM | ||
| Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
| Viotti: Violin Concerto in A Minor, WI:22: II. Adagio | Giovanni Battista Viotti, Yehudi Menuhin, Menuhin Festival Orchestra | G Major | 1 | 9B | 143 BPM | ||
| Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 97 BPM | ||
| Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo & Trio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 2 | 10B | 86 BPM | ||
| Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
| Rêve d'enfant, Op. 14 | Eugène Ysaÿe, Natalia Lomeiko, Iván Martín | B♭ Minor | 1 | 3A | 101 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: IV. Finale con brio | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
| Romance in B-Flat Major, Op. 1 | Roman Kim, Jure Gorucan | B♭ Major | 1 | 6B | 114 BPM | ||
| Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": II. Allegro. Tempo giusto della scuole tartinista | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | B♭ Major | 1 | 6B | 82 BPM | ||
| Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: III. Finale. Allegro con fuoco | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | A Major | 3 | 11B | 127 BPM | ||
| 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | ||
| Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM |