"The Fountain (La Source), Op. 23" by Kobie Du Plessis had its release date on February 3, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Magic of the Harp". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, The Fountain (La Source), Op. 23 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Fountain (La Source), Op. 23 by Kobie Du Plessis having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swan Lake - Prelude | London Philharmonic Orchestra | B Minor | 0 | 10A | 85 BPM | ||
| Siren Sounds Waltz: III. Waltz No. 2 | Alma Deutscher | C Major | 2 | 8B | 90 BPM | ||
| Carmen, Act III: Entr'acte (arr. D. Sosin): Carmen: Entr'acte to Act III (arr. for flute and harp) | Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 76 BPM | ||
| Cinq nuances in B Minor: III. Idyllico | Marc Berthomieu, Dejan Gavric, Silke Aichhorn | B♭ Major | 0 | 6B | 80 BPM | ||
| Rhapsodie | Marcel Grandjany, Judy Loman | F Minor | 1 | 4A | 96 BPM | ||
| Sicilienne, Op. 78 (arr. for flute and harp) | Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 153 BPM | ||
| Humoresque | David Nadien, Boris Barere | G Major | 0 | 9B | 79 BPM | ||
| Spanish Dance No. 5: Andaluza, Op. 5 | Kobie Du Plessis | A Minor | 0 | 8A | 93 BPM | ||
| Love Theme From “Romeo & Juliet” | Roger Williams | B♭ Major | 2 | 6B | 86 BPM | ||
| Sleeping Beauty Waltz | London Philharmonic Orchestra | B♭ Major | 3 | 6B | 169 BPM | ||
| The Tales of Hoffmann: Barcarolle | Jacques Offenbach, Harry Rabinowitz | F Minor | 1 | 4A | 116 BPM | ||
| Giselle, Act 2: No. 18 Giselle and Albrecht Pas de deux | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Valse romantique, L. 71 (Transcr. Y. Kondonassis) | Claude Debussy, Yolanda Kondonassis | E♭ Major | 0 | 5B | 107 BPM | ||
| Waltz of My Heart (From "The Dancing Years") [Arr. S. Mulligan for Piano] | Ivor Novello, Simon Mulligan | E♭ Major | 0 | 5B | 67 BPM | ||
| Paquita: Variation 6: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
| ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | F♯ Minor | 4 | 11A | 79 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| Le Cygne | Camille Saint-Saëns, Philippa Davies, Thelma Owen | A♭ Minor | 0 | 1A | 67 BPM | ||
| Arabesken: No. 12, Introduction and Polonaise | Carl Bohm, Miki Tsunoda, Benjamin Martin | D Major | 2 | 10B | 123 BPM | ||
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM | ||
| Prelude in G-Flat Major, La Fille Aux Cheveux De Lin | Rik | G Minor | 2 | 6A | 79 BPM | ||
| Fantasia for Harp, Op. 35 | Kobie Du Plessis | A Minor | 0 | 8A | 93 BPM | ||
| 托塞里: 作品6 小夜曲 | 絲國蘭, 陳松暉, 蔡福桂 | D Major | 3 | 10B | 87 BPM | ||
| Prelude: The Wispering Valley | Silvia Capova, Slovak Radio Symphony Orchestra, Ronald Binge | G Major | 1 | 9B | 143 BPM |