"Working the Mood - Pollock" by Donald Rubinstein had its release date on November 7, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Donald Rubinstein's "Martin/ Pollock - The Unused Score" album is number 33 out of 36. On top of that, United States appears to be the country where this track was created. In terms of popularity, Working the Mood - Pollock is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Working the Mood - Pollock by Donald Rubinstein to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Title | Krzysztof Komeda, Mia Farrow | C Minor | 2 | 5A | 116 BPM | ||
| Every Thirty Years | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Main Theme - Desolation | Alan Howarth, Larry Hopkins | F Minor | 1 | 4A | 99 BPM | ||
| Closing Theme | Harry Manfredini | C Major | 3 | 8B | 144 BPM | ||
| Foster The Children | Mark Korven | A♭ Major | 0 | 4B | 180 BPM | ||
| The Shining | The Newton Brothers | G Major | 2 | 9B | 89 BPM | ||
| The Masks / The Hobby Horse | Magnet | G Major | 2 | 9B | 134 BPM | ||
| The Man From The Alarm Company | Jason Hill | C Major | 1 | 8B | 127 BPM | ||
| Alien Loop | Mica Levi | B♭ Major | 7 | 6B | 128 BPM | ||
| Riley’s Temptation | Lovett | E♭ Minor | 1 | 2A | 136 BPM | ||
| Sad Memories | Roque Baños | D Minor | 0 | 7A | 69 BPM | ||
| Fair Is Foul | Carter Burwell, Kathryn Hunter | D Major | 2 | 10B | 80 BPM | ||
| The House | Pino Donaggio | C Minor | 3 | 5A | 89 BPM | ||
| Main Title (A Nightmare on Elm Street) | Charles Bernstein | D Major | 4 | 10B | 112 BPM | ||
| Картина Питера Брейгеля: Зима (Из к/ф "Солярис") | Eduard Artemyev | F Minor | 1 | 4A | 104 BPM | ||
| Filthy Dog | Mark Korven | E♭ Minor | 4 | 2A | 134 BPM | ||
| Orchestral Arches: III. Dolente - Live | Maya Badian, National Arts Centre Orchestra, Gary Kulesha | E♭ Major | 2 | 5B | 111 BPM | ||
| Opening Credits | John Carpenter, Alan Howarth | C Major | 1 | 8B | 123 BPM | ||
| Enter the Clown | Richard Bellis | D Major | 1 | 10B | 85 BPM | ||
| Venus Principle | Popol Vuh | E Minor | 7 | 9A | 130 BPM | ||
| Zwiesprache der Rohrflöte | Popol Vuh | B Minor | 5 | 10A | 185 BPM | ||
| Holy Water (Main Title #1) | Harry Sukman | A Minor | 3 | 8A | 120 BPM | ||
| Triumph On Your Knees | DePaul Osaze | E♭ Major | 2 | 5B | 100 BPM | ||
| Murder / Mermaid / Heavy Labour | Mark Korven | C Major | 1 | 8B | 72 BPM | ||
| The Smell of Death | Richard Bellis | A Minor | 1 | 8A | 70 BPM |