- BPM
- 129
- Key
- D♭ Major
- Camelot
- 3B
The Worst Job He Ever Had - Live/1973 by Dudley Moore, Peter Cook Song Details
Dudley Moore, Peter Cook's ' "The Worst Job He Ever Had - Live/1973" was released on its scheduled release date, January 1, 1976. The Worst Job He Ever Had - Live/1973 is explicit and may not be suitable for children. With the duration being about 3:59, this song is close to the average duration of a typical track. The song is number 3 out of 13 in Derek & Clive: Live by Peter Cook, Dudley Moore. Based on our statistics, The Worst Job He Ever Had - Live/1973's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
The tempo marking of The Worst Job He Ever Had - Live/1973 by Dudley Moore, Peter Cook is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 14%
- Loudness
- -16.929 dB
- Acousticness
- 77%
- Danceability
- 72%
- Energy
- 17%
- Instrumentalness
- 0%
- Liveness
- 32%
- Loudness
- 72%
- Speechiness
- 88%
- Valence
- 63%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I Love You Samantha | Dudley Moore | E Minor | 4 | 9A | 88 BPM | |
 | Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | |
 | Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood | Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra | E Major | 0 | 12B | 62 BPM | |
 | Spiegel im Spiegel | Arvo Pärt, Nicola Benedetti, Alexei Grynyuk | F Major | 0 | 7B | 79 BPM | |
 | Be A Child | Cleo Laine, Dudley Moore | C Major | 2 | 8B | 134 BPM | |
 | Grieg: Peer Gynt, Op. 23, Act IV: No. 16, Anitra's Dance | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | A Major | 1 | 11B | 161 BPM | |
 | Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | |
 | String Quintet in E Major, Op. 11, No. 5 (G. 275): III. Minuetto | Donald Sosin, Luigi Boccherini, Nora Shulman, Judy Loman | A Major | 0 | 11B | 89 BPM | |
 | Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | |
 | España | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Hervé Niquet | F Major | 3 | 7B | 117 BPM | |
 | Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | E Major | 0 | 12B | 81 BPM | |
 | Prélude à l'après-midi d'un faune, L. 86: Prélude à l'après-midi d'un faune | Claude Debussy, Concertgebouworkest, Bernard Haitink | A♭ Minor | 1 | 1A | 86 BPM | |
 | Sleepy Shores (Theme from 'Owen MD') | John Keating/London Symphony Orchestra | C Major | 2 | 8B | 92 BPM | |
 | Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | |
 | And the Same to You - Live at the Cambridge Arts Theatre | Alan Bennett, Peter Cook, Jonathan Miller, Dudley Moore | A♭ Major | 5 | 4B | 111 BPM | |
 | Prélude à l'après-midi d'un faune, CD 87a | Claude Debussy, The Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 75 BPM | |
 | Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | |
 | Bedazzled | Peter Cook, Dudley Moore | D Major | 7 | 10B | 107 BPM | |
 | Poco Adagio (4e Symphonie, 3e Movement) | José van Dam | G Major | 1 | 9B | 173 BPM | |
 | 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Orchestra) | Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | G Major | 1 | 9B | 84 BPM | |
 | Portrait from Memory | Peter Cook, Dudley Moore, Jonathan Miller, Alan Bennett | E Minor | 2 | 9A | 73 BPM | |
 | Waltz for Suzy | Dudley Moore | E Minor | 1 | 9A | 68 BPM | |
 | Eclogue Op. 10 | Gerald Finzi, Tom Poster, Aurora Orchestra, Nicholas Collon | F Minor | 0 | 4A | 69 BPM | |
 | The Carnival of the Animals, R. 125: XIII. Le cygne (Arr. for Cello & 2 Pianos) | Camille Saint-Saëns, Steven Isserlis, Michael Tilson Thomas, Dudley Moore | A♭ Minor | 1 | 1A | 173 BPM | |
 | Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records