Subarna Bajracharya, Raju Lama, Riya Sharma's 'Aakash Bhanda' had a release date set for July 14, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Sopan". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Norway. In terms of popularity, Aakash Bhanda is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aakash Bhanda by Subarna Bajracharya, Raju Lama, Riya Sharma having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tera Ram Ji Karenga Beda Paar | Hari Om Sharan | F♯ Major | 4 | 2B | 173 BPM | ||
| Chimba Paavsan Raan | Lata Mangeshkar, Suresh Wadkar | D♭ Major | 5 | 3B | 104 BPM | ||
| Bade Miyan Diwane | Mohammed Rafi, Laxmikant–Pyarelal | A♭ Major | 4 | 4B | 77 BPM | ||
| De Daru | Kishore Kumar, Manhar Udhas, Mahendra Kapoor, Laxmikant–Pyarelal | A♭ Major | 7 | 4B | 91 BPM | ||
| O Bondhu Tumi Sunte Ki Pao (Male Version) | Manu | D Major | 6 | 10B | 93 BPM | ||
| Ei Je Banalata Pahada | Akshaya Mohanty | G Major | 5 | 9B | 106 BPM | ||
| Aayiye Aapka Intezaar Tha - Female Version | Sadhana Sargam | A Minor | 8 | 8A | 77 BPM | ||
| Chalte Chalte Yun Hi Koi | Lata Mangeshkar | B♭ Minor | 4 | 3A | 87 BPM | ||
| Ajambari Maya | Subarna Bajracharya, Riya Sharma | B♭ Major | 7 | 6B | 130 BPM | ||
| Khilte Hain Gul Yahan - Jhankar Beats | Lata Mangeshkar, Hero And King Of Jhankar Studio | E Minor | 7 | 9A | 99 BPM | ||
| Yeh Gotey Dar Lahenga | Mohammed Rafi, Asha Bhosle, Majrooh Sultanpuri | G Major | 6 | 9B | 84 BPM | ||
| Je Hum Tum Chori Se - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mukesh | F Major | 8 | 7B | 145 BPM | ||
| Sangai Basna | Subarna Bajracharya, Raju Lama, Riya Sharma | F♯ Major | 7 | 2B | 81 BPM | ||
| Galavarchi Lali Tuzya Vadhali Kashi | Mahendra Kapoor, Shaila Chikhale | F Minor | 7 | 4A | 125 BPM | ||
| Yaad Teri Aayegi | Anu Malik, Shabbir Kumar | B Minor | 6 | 10A | 128 BPM | ||
| Tomar Moner Moto Kore | Gautam Basu, Aarti Mukherji | D♭ Minor | 6 | 12A | 147 BPM | ||
| Haleya Haadugala Maru Mishrana | Various Artists, Sadhu Kokila, Ranganath | B♭ Minor | 7 | 3A | 70 BPM | ||
| Sun Meri Banno | Alka Yagnik | A♭ Major | 6 | 4B | 93 BPM | ||
| Kuch Bhi Na Kaha Aur Keh Bhi Gai | Naseem Begum | B Minor | 4 | 10A | 91 BPM | ||
| Adi Aathadi - Sad | Ilaiyaraaja, Malaysia Vasudevan, S. Janaki | D♭ Minor | 4 | 12A | 153 BPM | ||
| Jambulingame Jadaadaraa | K. Veeramani, Dharapuram Sundararajan, Kovai Soundararajan | B♭ Major | 4 | 6B | 90 BPM | ||
| Aakash Bhanda | Subarna Bajracharya, Raju Lama, Riya Sharma | B♭ Minor | 8 | 3A | 105 BPM | ||
| Namami Radhe Namami Krishnam | Ravindra Jain | F♯ Major | 4 | 2B | 91 BPM | ||
| Umeed Nahi Si | Sardool Sikander | B♭ Minor | 4 | 3A | 78 BPM | ||
| Labunath Neth Yuga | Asanka Priyamantha Peiris | B♭ Minor | 5 | 3A | 134 BPM |