Concerto for Horn and Orchestra, Op. 58: I. Con Moto by Ruth Gipps, David Pyatt, Nicholas Braithwaite, London Philharmonic Orchestra Song Details

"Concerto for Horn and Orchestra, Op. 58: I. Con Moto" by Ruth Gipps, David Pyatt, Nicholas Braithwaite, London Philharmonic Orchestra had its release date on February 1, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 13 in British Horn Concertos by David Pyatt, Nicholas Braithwaite, London Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Concerto for Horn and Orchestra, Op. 58: I. Con Moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Concerto for Horn and Orchestra, Op. 58: I. Con Moto by Ruth Gipps, David Pyatt, Nicholas Braithwaite, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -25.654 dB
Acousticness: 99%
Danceability: 15%
Energy: 5%
Instrumentalness: 94%
Liveness: 9%
Loudness: 57%
Speechiness: 5%
Valence: 7%

Recommendations

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Concerto in F Minor, Op. 5 "Grand": II. Andante pastorale	Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra	B♭ Major	0	6B	119 BPM
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Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes	Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra	A♭ Minor	0	1A	122 BPM
La Melancolie (Arr. for Violin and Orchestra from Moments of Solitude by Ben Palmer)	Ole Bull, Eldbjørg Hemsing, Arctic Philharmonic	D Minor	2	7A	91 BPM
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Danzas fantásticas, Op. 22: I. Exaltación	Joaquín Turina, Juanjo Mena, BBC Philharmonic	E Minor	0	9A	129 BPM
D'un matin de printemps	Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic	C Major	1	8B	130 BPM
Symphony No. 2 in One Movement, Op. 30: VII. Moderato	Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales	B♭ Major	1	6B	72 BPM
The Holy Boy	John Ireland, Richard Hickox, London Symphony Orchestra	G Minor	0	6A	101 BPM
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Wood Notes: III. Moon Dusk: Slowly and expressively	William Grant Still, Fort Smith Symphony, John Jeter	E Minor	0	9A	138 BPM