Imitation Sequece: Temptation; Jezebel; Memories Are Made Of This; When The Saints Go Marching In
Nacio Herb Brown, Terry Gilkyson, Traditional, Wayne Shanklin, Richard Dehr, Frank Miller, Mario Lanza, Italian National Radio Symphony Orchestra and Chorus, George Stoll
Seven Hills Of Rome
7:37 1955
BPM
113
Key
F Minor
Camelot
4A

Embed

Share Link

Imitation Sequece: Temptation; Jezebel; Memories Are Made Of This; When The Saints Go Marching In by Nacio Herb Brown, Terry Gilkyson, Traditional, Wayne Shanklin, Richard Dehr, Frank Miller, Mario Lanza, Italian National Radio Symphony Orchestra and Chorus, George Stoll Song Details

Nacio Herb Brown, Terry Gilkyson, Traditional, Wayne Shanklin, Richard Dehr, Frank Miller, Mario Lanza, Italian National Radio Symphony Orchestra and Chorus, George Stoll's ' "Imitation Sequece: Temptation; Jezebel; Memories Are Made Of This; When The Saints Go Marching In" was released on its scheduled release date, 1955. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Seven Hills Of Rome". In this album, this song's track order is #6. In terms of popularity, Imitation Sequece: Temptation; Jezebel; Memories Are Made Of This; When The Saints Go Marching In is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With Imitation Sequece: Temptation; Jezebel; Memories Are Made Of This; When The Saints Go Marching In by Nacio Herb Brown, Terry Gilkyson, Traditional, Wayne Shanklin, Richard Dehr, Frank Miller, Mario Lanza, Italian National Radio Symphony Orchestra and Chorus, George Stoll having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-8.679 dB
Acousticness
97%
Danceability
48%
Energy
52%
Instrumentalness
0%
Liveness
72%
Loudness
86%
Speechiness
23%
Valence
40%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Il Barbiere Di Siviglia: Overture by Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino RossiniIl Barbiere Di Siviglia: OvertureGioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino RossiniG Major29B136 BPM
Temptation (from the film 'Going Hollywood') by Arthur Freed, Nacio Herb Brown, Percy Faith, Percy Faith & His OrchestraTemptation (from the film 'Going Hollywood')Arthur Freed, Nacio Herb Brown, Percy Faith, Percy Faith & His OrchestraC Major48B106 BPM
Les contes d'Hoffmann: Les oiseaux dans la charmille by Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert ReimerLes contes d'Hoffmann: Les oiseaux dans la charmilleJacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert ReimerF♯ Minor411A86 BPM
Don Pasquale / Act 3: Don Pasquale / Act 3: "Com'è gentil...tornami a dir"Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo FrizzaA Major111B67 BPM
Giacomo Puccini: Madame Butterfly - Summchor by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm LoibnerGiacomo Puccini: Madame Butterfly - SummchorChor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm LoibnerB♭ Major06B85 BPM
Marta's Serenade by The ShabadabasMarta's SerenadeThe ShabadabasD♭ Major23B138 BPM
Bizet: Carmen, Act 1: Séguedille. Bizet: Carmen, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, José)Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera OrchestraD Major110B83 BPM
Don Gil de Alcalá: Don Gil de Alcalá: "Acto II": Todas las Mañanitas: "Habanera"Manuel Penella, Ataúlfo ArgentaB♭ Major26B89 BPM
Madame Butterfly (Coro nocturno) by Waldo De Los RíosMadame Butterfly (Coro nocturno)Waldo De Los RíosB♭ Major66B149 BPM
Il tango delle capinere by Leo Nucci, Salotto Ottocento EnsembleIl tango delle capinereLeo Nucci, Salotto Ottocento EnsembleD Major410B82 BPM
Oh Sole Mío by Los TenoresOh Sole MíoLos TenoresD Major610B118 BPM
Vaga luna, che inargenti by Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco ArmiliatoVaga luna, che inargentiVincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco ArmiliatoB♭ Major16B73 BPM
Un Hombre Solo by Manuel Alejandro, José Manuel Zapata, Juan Francisco Padilla, Orquesta de ExtremaduraUn Hombre SoloManuel Alejandro, José Manuel Zapata, Juan Francisco Padilla, Orquesta de ExtremaduraA Minor88A106 BPM
Ravel: Boléro, M. 81 by Maurice Ravel, Franck Pourcel, Franck Pourcel OrchestraRavel: Boléro, M. 81Maurice Ravel, Franck Pourcel, Franck Pourcel OrchestraC Major28B138 BPM
El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General by Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo BarbieriEl barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro GeneralAtaúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo BarbieriG Major49B116 BPM
Broadway Rhythm by Nacio Herb Brown, Ambrose Orchestra, Bert AmbroseBroadway RhythmNacio Herb Brown, Ambrose Orchestra, Bert AmbroseG Major39B177 BPM
Bizet: Carmen, Act 1: Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus)Georges Bizet, Sir Thomas Beecham, French National Radio OrchestraG Major19B107 BPM
Das Land des Lächelns / Act 2: Dein ist mein ganzes Herz! by Franz Lehár, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale FiorentinoDas Land des Lächelns / Act 2: Dein ist mein ganzes Herz!Franz Lehár, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale FiorentinoC Major58B137 BPM
H.M.S.Pinafore: Never mind the why and wherefore by Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore GodfreyH.M.S.Pinafore: Never mind the why and whereforeArthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore GodfreyB Major31B137 BPM
Orphée et Eurydice: J'ai perdu mon Eurydice by Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion FrancaiseOrphée et Eurydice: J'ai perdu mon EurydiceMaria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion FrancaiseC Major28B71 BPM
Verdi: Rigoletto, Act 3: Verdi: Rigoletto, Act 3: "La donna è mobile" (Duca)Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera, Richard LeechD Major110B131 BPM
Die lustige Witwe: Lippen schweigen by Franz Lehár, Rudolf Schock, Margit Schramm, Robert StolzDie lustige Witwe: Lippen schweigenFranz Lehár, Rudolf Schock, Margit Schramm, Robert StolzG Major19B75 BPM
Torna a Surriento by Ernesto de Curtis, André RieuTorna a SurrientoErnesto de Curtis, André RieuB♭ Major106B110 BPM
The Impossible Dream - From The Impossible Dream - From "The Man of La Mancha"José Carreras, Robert Farnon And His OrchestraD♭ Major33B95 BPM
Eadie Was A Lady by Richard A. Whiting, Nacio Herb Brown, Ethel Merman, London Festival Orchestra, The London Festival Chorus, Stanley BlackEadie Was A LadyRichard A. Whiting, Nacio Herb Brown, Ethel Merman, London Festival Orchestra, The London Festival Chorus, Stanley BlackD Minor47A103 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records