Nacio Herb Brown, Terry Gilkyson, Traditional, Wayne Shanklin, Richard Dehr, Frank Miller, Mario Lanza, Italian National Radio Symphony Orchestra and Chorus, George Stoll's ' "Imitation Sequece: Temptation; Jezebel; Memories Are Made Of This; When The Saints Go Marching In" was released on its scheduled release date, 1955. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Seven Hills Of Rome". In this album, this song's track order is #6. In terms of popularity, Imitation Sequece: Temptation; Jezebel; Memories Are Made Of This; When The Saints Go Marching In is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Imitation Sequece: Temptation; Jezebel; Memories Are Made Of This; When The Saints Go Marching In by Nacio Herb Brown, Terry Gilkyson, Traditional, Wayne Shanklin, Richard Dehr, Frank Miller, Mario Lanza, Italian National Radio Symphony Orchestra and Chorus, George Stoll having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il Barbiere Di Siviglia: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | G Major | 2 | 9B | 136 BPM | ||
| Temptation (from the film 'Going Hollywood') | Arthur Freed, Nacio Herb Brown, Percy Faith, Percy Faith & His Orchestra | C Major | 4 | 8B | 106 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
| Marta's Serenade | The Shabadabas | D♭ Major | 2 | 3B | 138 BPM | ||
| Bizet: Carmen, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
| Don Gil de Alcalá: "Acto II": Todas las Mañanitas: "Habanera" | Manuel Penella, Ataúlfo Argenta | B♭ Major | 2 | 6B | 89 BPM | ||
| Madame Butterfly (Coro nocturno) | Waldo De Los Ríos | B♭ Major | 6 | 6B | 149 BPM | ||
| Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
| Oh Sole Mío | Los Tenores | D Major | 6 | 10B | 118 BPM | ||
| Vaga luna, che inargenti | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | B♭ Major | 1 | 6B | 73 BPM | ||
| Un Hombre Solo | Manuel Alejandro, José Manuel Zapata, Juan Francisco Padilla, Orquesta de Extremadura | A Minor | 8 | 8A | 106 BPM | ||
| Ravel: Boléro, M. 81 | Maurice Ravel, Franck Pourcel, Franck Pourcel Orchestra | C Major | 2 | 8B | 138 BPM | ||
| El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo Barbieri | G Major | 4 | 9B | 116 BPM | ||
| Broadway Rhythm | Nacio Herb Brown, Ambrose Orchestra, Bert Ambrose | G Major | 3 | 9B | 177 BPM | ||
| Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM | ||
| Das Land des Lächelns / Act 2: Dein ist mein ganzes Herz! | Franz Lehár, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | C Major | 5 | 8B | 137 BPM | ||
| H.M.S.Pinafore: Never mind the why and wherefore | Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | B Major | 3 | 1B | 137 BPM | ||
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
| Verdi: Rigoletto, Act 3: "La donna è mobile" (Duca) | Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera, Richard Leech | D Major | 1 | 10B | 131 BPM | ||
| Die lustige Witwe: Lippen schweigen | Franz Lehár, Rudolf Schock, Margit Schramm, Robert Stolz | G Major | 1 | 9B | 75 BPM | ||
| Torna a Surriento | Ernesto de Curtis, André Rieu | B♭ Major | 10 | 6B | 110 BPM | ||
| The Impossible Dream - From "The Man of La Mancha" | José Carreras, Robert Farnon And His Orchestra | D♭ Major | 3 | 3B | 95 BPM | ||
| Eadie Was A Lady | Richard A. Whiting, Nacio Herb Brown, Ethel Merman, London Festival Orchestra, The London Festival Chorus, Stanley Black | D Minor | 4 | 7A | 103 BPM |