George Frideric Handel, Daniel Johannsen, Ensemble Zefiro, Alfredo Bernardini's ' "Alexander's Feast, HWV 75, Act I: Recitative. Sooth'd With the Sound" was released on its scheduled release date, July 18, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Ensemble Zefiro, Alfredo Bernardini, Arnold Schoenberg Chor, Miriam Kutrowatz, Daniel Johannsen, Damien Gastl's "Handel: Alexander’s Feast" album is number 13 out of 35. On top of that, France appears to be the country where this track was created. In terms of popularity, Alexander's Feast, HWV 75, Act I: Recitative. Sooth'd With the Sound is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Alexander's Feast, HWV 75, Act I: Recitative. Sooth'd With the Sound by George Frideric Handel, Daniel Johannsen, Ensemble Zefiro, Alfredo Bernardini to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Water Music Suite No. 1 in F: Adagio e staccato | Berliner Philharmoniker, Riccardo Muti | D Minor | 1 | 7A | 77 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
| Andante in F Minor (Arr. L. Lencses) | Gaetano Donizetti, Lajos Lencsés, Stuttgart Arcata Chamber Orchestra, Patrick Strub | F Minor | 1 | 4A | 63 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM | ||
| Oboe Concerto in E Minor, TWV 51:e1: I. Andante | Georg Philipp Telemann, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | E Minor | 2 | 9A | 74 BPM | ||
| Let the Bright Seraphim from Samson, HWV 57 - Voice | George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's | D Major | 1 | 10B | 103 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti No. 1 in F Minor: II. Allegro | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 3 | 9A | 80 BPM | ||
| Concerto grosso No. 2 in B-Flat major, HWV 313: II. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | A Major | 3 | 11B | 105 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Coro: Ah! Se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | C Minor | 1 | 5A | 75 BPM | ||
| Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
| Concerto for 3 Trumpets, Timpani, 2 Oboes, Bassoon, Strings & Continuo in D, TWV 54: IV. Vivace | Georg Philipp Telemann, La Serenissima, Adrian Chandler | D Major | 3 | 10B | 97 BPM | ||
| Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
| Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Oboe Concerto in F Minor, TWV 51:F2: III. Vivace | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | A Minor | 1 | 8A | 159 BPM | ||
| Water Music, Suite No. 3, HWV 350: Water Music, Suite No. 3, HWV 350: XXIi. Minuet (Coro) | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 174 BPM | ||
| Atys, "Le Sommeil" Opera in 5 actes with prologue: Le sommeil | Jean-Baptiste Lully, English Chamber Orchestra, Raymond Leppard | G Major | 1 | 9B | 146 BPM | ||
| Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
| Atys, LWV 53: Ouverture | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | F Minor | 3 | 4A | 131 BPM | ||
| Rameau: Les Boréades, Act 4: Entrée de Polymnie | Jean-Philippe Rameau, Gyorgy Vashegyi, Orfeo Orchestra | D Major | 2 | 10B | 122 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Major | 1 | 9B | 144 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM |