"3つの前奏曲 Prelude II" by G.ガーシュイン, 高橋敦(トランペット), 白石准(ピアノ) had its release date on January 24, 2004. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ラプソディー・イン・ブルー, so we believe that "3つの前奏曲 Prelude II" is a single. 3つの前奏曲 Prelude II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3つの前奏曲 Prelude II by G.ガーシュイン, 高橋敦(トランペット), 白石准(ピアノ) is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasiestücke, Op. 73 (Transcr. for Oboe and Piano by Victor Aviat): I. Zart und mit Ausdruck | Robert Schumann, Victor Aviat, Kim Barbier | F♯ Minor | 0 | 11A | 78 BPM | ||
| Improvisation No. 7 in C Major: Modere sans lenteur | Francis Poulenc, Olivier Cazal | F Major | 1 | 7B | 83 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | F♯ Minor | 0 | 11A | 78 BPM | ||
| Oscher: Rapsodia latina: I. Guajira | Efraín Oscher, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Minor | 2 | 7A | 78 BPM | ||
| Piano Trio in D Minor, Op. 120: Piano Trio in D minor, Op. 120: I. Allegro ma non troppo | Gabriel Fauré, Trio Wanderer | B♭ Major | 0 | 6B | 85 BPM | ||
| Schumann: Fantasiestücke Op. 73: I. Zart und mit Ausdruck | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Minor | 0 | 8A | 138 BPM | ||
| Sea-Murmurs (Arr. J. Heifetz for Cello & Piano) | Mario Castelnuovo-Tedesco, Brinton Averil Smith, Evelyn Chen | F Minor | 1 | 4A | 93 BPM | ||
| Piano Concerto No. 2 in A Major, S. 125: VI. Allegro animato | Franz Liszt, Andrew Litton, Bergen Philharmonic Orchestra, Stephen Hough | G Major | 0 | 9B | 87 BPM | ||
| Tableaux de Provence: II. Cansoun per ma mio | Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 71 BPM | ||
| Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM | ||
| Liebestraum No. 3, S 541 | Franz Liszt, Michael Collins, Michael McHale | A♭ Major | 0 | 4B | 76 BPM | ||
| 『ポーギーとベス』セレクション | G.ガーシュイン, ザ・ブラス・ゼクステット, 福田善亮(トランペット), 高橋敦(トランペット), 松崎裕(ホルン), 小田桐寛之(トロンボーン), 秋山鴻市(バス・トロンボーン), 渡辺功(テューバ) | F Major | 1 | 7B | 137 BPM | ||
| Clarinet Concertino: II. Toada. Andantino non troppo | Francisco Mignone, Ovanir Buosi, Orquestra Sinfônica do Estado de São Paulo, Giancarlo Guerrero | C Major | 2 | 8B | 144 BPM | ||
| Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: II. Allegro vivace | Oskar Böhme, Center City Brass Quintet, Jack Sutte | C Minor | 1 | 5A | 156 BPM | ||
| Sonata for Alto Saxophone and Piano, Op. 19: I. With Vigor | Paul Creston, Joseph Lulloff, Deborah Moriarty | B Major | 1 | 1B | 129 BPM | ||
| The Exterminating Angel Symphony: I. Entrances | Thomas Adès, Minnesota Orchestra, Thomas Søndergård | C Major | 2 | 8B | 88 BPM | ||
| Concerto in 1 movement (arr. A. Ostrander) | Alexey Konstantinovich Lebedev, Allen Ostrander, David Zerkel, Paolo Andre Gualdi | A Major | 0 | 11B | 68 BPM | ||
| Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | ||
| Symphony No. 1, GMW 11: IIIa. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Velvet Valves (Six Romantic Trio Arrangements): Melodia (After Pyotr Ilyich Tchaikovsky) | David Riniker, Sarah Willis, Kotowa Machida, Philip Mayers, Klaus Wallendorf | E♭ Major | 0 | 5B | 173 BPM | ||
| Nymphs and Fauns Arabesque - Duo-Art 5509 | Herman Bemberg, McNair Ilgenfritz, Peter Phillips | D♭ Major | 1 | 3B | 88 BPM | ||
| Poulenc: Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | D♭ Minor | 1 | 12A | 171 BPM | ||
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | F♯ Minor | 0 | 11A | 78 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM |