"Tableaux de Provence: II. Cansoun per ma mio" by Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui had its release date on April 1, 2007. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claude Delangle, Lan Shui, Singapore Symphony Orchestra's "Ibert / Tomasi / Ravel / Maurice / Schmitt / Milhaud: Works for Saxophone and Orchestra" album is number 7 out of 14. On top of that, Sweden appears to be the country where this track was created. Tableaux de Provence: II. Cansoun per ma mio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tableaux de Provence: II. Cansoun per ma mio by Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morceau symphonique, Op.88 | Alexandre Guilmant, Christian Lindberg, Bamberg Symphony, Leif Segerstam | B♭ Major | 1 | 6B | 66 BPM | ||
| Sonoran Desert Holiday | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | F Major | 2 | 7B | 114 BPM | ||
| Blue Shades | Frank Ticheli, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 2 | 5A | 82 BPM | ||
| ソナタ: ソナタ: III. 陽気に | Paul Creston, Nobuya Sugawa, 小柳美奈子 | D Major | 2 | 10B | 165 BPM | ||
| Serenade for 13 Wind Instruments in E flat major, Op. 7 | Richard Strauss, François Leleux | E♭ Major | 0 | 5B | 70 BPM | ||
| Saxophone Concertino, Op. 78: Concertino, Op. 78 | Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet | A♭ Major | 0 | 4B | 128 BPM | ||
| Canzonetta in E-Flat Major, Op. 19 | Gabriel Pierné, Ludmila Peterková, Irina Kondratenko | E♭ Major | 1 | 5B | 69 BPM | ||
| Bookmarks from Japan: III. The Great Wave Off Kanagawa | Julie Giroux, University of North Texas Symphonic Band, H. Bruce Gilkes | F Major | 3 | 7B | 148 BPM | ||
| Fantasie for Flute and Piano by Gabriel Faure | Gabriel Fauré, Laurel Zucker, Richard Cionco | C Major | 1 | 8B | 90 BPM | ||
| Trombone Concertino in E-Flat Major, Op. 4: I. Allegro maestoso | Ferdinand David, Christian Lindberg, Bamberg Symphony, Leif Segerstam | E♭ Major | 1 | 5B | 124 BPM | ||
| Symphony No. 3 "Slavyanskaya": II. Waltz | Boris Tikhonovich Kozhevnikov, North Texas Wind Symphony, Eugene Migliaro Corporon | G Minor | 1 | 6A | 70 BPM | ||
| Fantastic Polka | Joseph Alessi | B♭ Major | 1 | 6B | 84 BPM | ||
| Quintet No. 1 in B-Flat Minor: I. Moderato | Victor Ewald, Center City Brass Quintet | B♭ Minor | 0 | 3A | 68 BPM | ||
| Catch Me If You Can: II. Reflectively and Freely (Arr. J. Bocook) | John Williams, Claude Delangle, Swedish Wind Ensemble, Christian Lindberg | D Major | 2 | 10B | 138 BPM | ||
| Trumpet Concerto, Op. 18: III. Allegretto - Rondo. Allegro scherzando | Oskar Böhme, Giuliano Sommerhalder, Westphalia New Philharmonic Orchestra, Heiko-Mathias Forster | E Major | 3 | 12B | 133 BPM | ||
| Variations sur un theme espagnol | Paul-Agricole Genin, Claude Delangle, Odile Delangle | B Minor | 2 | 10A | 126 BPM | ||
| Suite of Old American Dances: V. Rag | Robert Russell Bennett, Lone Star Wind Orchestra, Eugene Migliaro Corporon | E♭ Major | 2 | 5B | 102 BPM | ||
| Joyride | Michael Markowski, Brooklyn Wind Symphony, Jeff Ball | C Major | 3 | 8B | 148 BPM | ||
| Quintet No. 3 in D-Flat Major, Op. 11: II. Intermezzo | Victor Ewald, Center City Brass Quintet | C Major | 0 | 8B | 107 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: I. Allegro tristamente | Francis Poulenc, Sabine Meyer | A Minor | 0 | 8A | 74 BPM | ||
| I. On the top of Cape Finisterre | Ricardo Mollá, Esteban Batallán, Ricardo Mollá Albero, Alberto Urretxo, Bilbao Symphony Orchestra | B♭ Major | 2 | 6B | 114 BPM | ||
| Characteristic Study No. 1 in C Major | Jean-Baptiste Arban, Thomas Hooten | F Major | 3 | 7B | 97 BPM | ||
| ソナタ: II. 静穏ニ | Paul Creston, Nobuya Sugawa, 小柳美奈子 | D Major | 1 | 10B | 58 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: III. Allegro con fuoco | Francis Poulenc, Sabine Meyer, Oleg Maisenberg | D♭ Major | 1 | 3B | 161 BPM | ||
| Catch Me If You Can: III. Joyfully (Arr. J. Bocook) | Claude Delangle, Swedish Wind Ensemble, Christian Lindberg | D Major | 2 | 10B | 138 BPM |